The Uncensored Letters of a Canteen GirlMorse, Katharine Duncan
History
The Uncensored Letters of a Canteen Girl
Morse, Katharine Duncan
World War, 1914-1918 -- Personal narratives
historic payday when after months of penury the troops were paid. That
night the accommodations at “the brig” proved inadequate and the
wash-house had to be requisitioned for the over-flow. This was well
enough until the lodgers fell to fighting among themselves and so fell
headlong into the pool. Then such a hullabaloo broke loose that the
whole camp turned out to see who had been murdered.
Back of the wash-house lies a group of long French barracks, and here
lives Company A of the —— Regiment, infantry and “regulars.” Beyond the
mess-hall is the hut, a French _abri_ tent with double walls. Ducking
under the fly, one finds oneself in a long rectangular canvas room,
lighted by a dozen little isinglass windows. The room is filled with
folding wooden chairs and long ink-stained tables over which are
scattered writing materials, games and well-worn magazines. Opposite the
door, at the far end, is the canteen counter, a shelf of books at one
side, a victrola and a bulletin board, to which cartoons and clippings
are tacked, on the other. Back of the counter on the wall, held in place
by safety pins, are the hut’s only decorations, four of the gorgeous
French war posters brought with me from Paris. There are two stoves
resembling umbrella-stands for heating in the main part of the hut and
behind the counter another, about the size and shape of a man’s derby
hat, on which I must make my hot chocolate. For lights at night I am
told that occasionally one can procure a few quarts of kerosene and then
the lamps that stand underneath the counter are brought out and for a
few days we shine; but usually we manage as our ancestors did with
candle-light. Our candlesticks form a quaint collection; some are real
tin _bourgeois_ brought from Paris, some strips of wood, some
chewing-gum boxes, while others are empty bottles, “dead soldiers” as
the boys call them. As for the bottles, I am particular about the sort
that I employ and none of mine are labeled anything but Vittel Water.
Others I observe are not so circumspect,—yesterday I chanced in at a
canteen in a neighboring village kept by a Y man; on a shelf three “dead
soldier” candlesticks stood in a row and their labels read; Champagne,
Cognac, Benedictine! For the rest, the hut is equipped with a wheezy old
piano, a set of parlor billiards, and a man secretary. It is invariably
dense with smoke, part wood and part tobacco, and usually crowded with
boys.
Public-domain text, read in full here on John Shaqi.
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