The uncivilized races of men in all countries of the world; vol. 1 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristicsWood, J. G. (John George)
History
The uncivilized races of men in all countries of the world; vol. 1 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristics
Wood, J. G. (John George)
Anthropology; Ethnology; Manners and customs
Moreover, the mode in which the weapon is thrown serves to disconcert
the enemy, and bewilder his gaze. Just before he throws the spear, the
Kaffir makes it quiver in a very peculiar manner. He grasps it with
the thumb and forefinger of the right hand, holding it just above the
spot where it balances itself, and with the head pointing up his arm.
The other fingers are laid along the shaft, and are suddenly and firmly
closed, so as to bring the balance spot of the spear against the root
of the hand. This movement causes the spear to vibrate strongly and
is rapidly repeated, until the weapon gives out a peculiar humming or
shivering noise, impossible to be described, and equally impossible
to be forgotten when once heard. It is as menacing a sound as the
whirr of the rattlesnake, and is used by the Kaffirs when they wish
to strike terror into their opponents. When thrown, the assagai does
not lose this vibrating movement, but seems even to vibrate stronger
than before, the head describing a large arc of a circle, of which
the balance point forms the centre. This vibration puzzles the eye of
the adversary, because it is almost impossible to tell the precise
direction which the weapon is taking. Any one can calculate the flight
of a rigid missile, such as a thick spear or arrow, but when the weapon
is vibrating the eye is greatly bewildered.
The whole look of an assagai in the air is very remarkable, and has
never been properly represented. All illustrations have represented it
as quite straight and stiff in its flight, whereas it looks just like
a very slender serpent undulating itself gracefully through the air.
It seems instinct with life, and appears rather to be seeking its own
course than to be a simple weapon thrown by the hand of a man. As it
flies along it continually gives out the peculiar shivering sound which
has been mentioned, and this adds to the delusion of its aspect.
An illustration on page 111 represents a group of Kaffir warriors
engaged in a skirmish. In the present instance they are exhibiting
their prowess in a mock fight, the heads of the assagais being of wood
instead of iron, and blunted, but still hard and sharp enough to give
a very severe blow--_experto crede_. In the background are seen a
number of soldiers standing behind their shields so as to exemplify the
aptness of their title, the Matabele, or Disappearers. In the immediate
foreground is a soldier in the full uniform of his regiment. He has
just hurled one assagai, and, as may be seen by the manner in which
his dress is flying, has leaped to his present position with another
assagai ready in his hand. Two soldiers are plucking out of the ground
the assagais thrown by their antagonists, covering themselves with
their shields while so doing. All these soldiers belong to the same
regiment, as may be seen by the headdress, which constitutes their
distinctive uniform.
Public-domain text, read in full here on John Shaqi.
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