The uncivilized races of men in all countries of the world; vol. 1 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristicsWood, J. G. (John George)
History
The uncivilized races of men in all countries of the world; vol. 1 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristics
Wood, J. G. (John George)
Anthropology; Ethnology; Manners and customs
There is one form of snuff box which is, as far as I know, peculiar
to the tribes of Southern Africa, both in shape and material. The
Kaffir begins by making a clay model of some animal, and putting it
in the sun to dry. He is very expert at this art, and, as a general
rule, can imitate the various animals with such truth that they can
be immediately recognized. Of course he has but little delicacy, and
does not aim at any artistic effect; but he is thoroughly acquainted
with the salient points of the animal which he is modelling, and
renders them with a force that frequently passes into rather ludicrous
exaggeration.
The next process is a very singular one. When a cow is killed, the
Kaffir removes the hide, and lays it on the ground with the hair
downward. With the sharp blade of his assagai he then scrapes the
interior of the hide, so as to clean off the coagulated blood which
adheres to it, and collects it all in one place. With this blood he
mixes some powdered earth, and works the blood and the powder into
a paste. Of course a small quantity of animal fibre is scraped from
the hide and mixed with the paste, and aids to bind it more closely
together. The paste being ready, the Kaffir rubs it over the clay
model, taking care to lay it on of a uniform thickness. A few minutes
in the burning sunshine suffices to harden it tolerably, and then a
second coat is added. The Kaffir repeats this process until he has
obtained a coating about the twelfth of an inch in thickness. Just
before it has become quite hard, he takes his needle or a very finely
pointed assagai, and raises a kind of coarse nap on the surface, so
as to bear a rude resemblance to hair. When it is quite dry, the
Kaffir cuts a round hole in the top of the head, and with his needle
aided by sundry implements made of thorns, picks out the whole of the
clay model, leaving only the dry coating of paste. By this time the
plastic paste has hardened into a peculiar consistency. It is very
heavy in proportion to its bulk, partly on account of the earthy matter
incorporated with it, and partly on account of its extremely compact
nature. It is wonderfully strong, resisting considerable violence
without suffering any damage. It is so hard that contact with sharp
stones, spear heads, or a knife blade is perfectly innocuous, and so
elastic, that if it were dropped from the clouds upon the earth, it
would scarcely sustain any injury.
Public-domain text, read in full here on John Shaqi.
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