The uncivilized races of men in all countries of the world; vol. 1 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristicsWood, J. G. (John George)
History
The uncivilized races of men in all countries of the world; vol. 1 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristics
Wood, J. G. (John George)
Anthropology; Ethnology; Manners and customs
My own specimen represents an elephant, the leathern thong by which
the plug is retained being ingeniously contrived to play the part
of the proboscis. But the Kaffirs are singularly ingenious in their
manufacture of these curious snuff boxes, and imitate the form of
almost every animal in their own country. The ox and the elephant are
their favorite models: but they will sometimes make a snuff box in the
form of a rhinoceros; and the very best specimen that I have as yet
seen was in the shape of a hartebeest, the peculiar recurved horns, and
shape of the head, being rendered with wonderful truth.
Modelling must naturally imply a mind with some artistic powers; and it
is evident that any one who can form in clay a recognizable model of
any object, no matter how rude it may be, has within him some modicum
of the sculptor’s art. This implies a portion of the draughtsman’s art
also, because in the mind of the modeller there must exist a tolerably
accurate conception of the various outlines that bound the object which
he models. He can also carve very respectably in wood; and, as we have
seen--when we came to the question of a Kaffir’s food and how he eats
it--he can carve his spoons into very artistic forms, and sometimes to
the shape of certain objects, whether artificial or natural. There is
now before me an admirably executed model of the head of a buffalo,
carved by a Kaffir out of a rhinoceros horn, the peculiar sweep and
curve of the buffalo’s enormous horn being given with a truth and
freedom that are really wonderful.
Yet it is a most remarkable fact that a Kaffir, as a general rule, is
wholly incapable of understanding a drawing that includes perspective.
An ordinary outline he can understand well enough, and will recognize a
sketch of an animal, a house, or a man, and will sometimes succeed in
identifying the individual who is represented. Yet even this amount of
artistic recognition is by no means universal; and a Kaffir, on being
shown a well-executed portrait of a man, has been known to assert that
it was a lion.
Public-domain text, read in full here on John Shaqi.
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