The uncivilized races of men in all countries of the world; vol. 1 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristics — John Shaqi
The uncivilized races of men in all countries of the world; vol. 1 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristicsWood, J. G. (John George)
History
The uncivilized races of men in all countries of the world; vol. 1 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristics
Wood, J. G. (John George)
Anthropology; Ethnology; Manners and customs
Taking the portrait properly is a matter of extreme difficulty. The
Kaffirs _will_ rub themselves with grease, and the more they shine the
better they are dressed. Now, as every photographer knows, nothing is
more perplexing than a rounded and polished surface in the full rays
of the sunbeams; and if it were only possible to rub the grease from
the dark bodies, and deprive them of their gloss, the photographer
would have a better chance of success. But the Kaffir ladies, old and
young alike, think it a point of honor to be dressed in their very
best when their portraits are taken, and will insist upon bedizening
themselves exactly in the way which is most destructive to photography.
They take fresh grease, and rub their bodies until they shine like a
well-polished boot; they indue every necklace, girdle, bracelet, or
other ornament that they can muster, and not until they are satisfied
with their personal appearance will they present themselves to the
artist. Even when they have done so, they are restless, inquisitive,
and rather nervous, and in all probability will move their heads
just as the cap of the lens is removed, or will take fright and
run away altogether. In the case of the two girls represented in
the illustration, on page 25, the photographer has been singularly
fortunate. Both the girls belonged to the tribe commanded by the
well-known chief Goza, whose portrait will be given on a subsequent
page. The girls are clad in their ordinary costume of every-day life,
and in fact, when their portraits were taken, were acting as housemaids
in the house of an European settler.
Unfortunately, this singular beauty of form is very transient; and when
a girl has attained to the age at which an English girl is in her full
perfection, the Kaffir girl has begun to age, and her firm, lithe,
and graceful form has become flabby and shapeless. In the series of
portraits which has been mentioned, this gradual deterioration of form
is curiously evident; and in one example, which represents a row of
girls sitting under the shade of a hut, young girls just twenty years
of age look like women of forty.
[Illustration: (1.) UNMARRIED KAFFIR GIRLS. (See page 21.)]
[Illustration: (2.) OLD KAFFIR WOMEN. (See page 27.)]
Public-domain text, read in full here on John Shaqi.
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