The uncivilized races of men in all countries of the world; vol. 2 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristicsWood, J. G. (John George)
History
The uncivilized races of men in all countries of the world; vol. 2 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristics
Wood, J. G. (John George)
Anthropology; Ethnology; Manners and customs
Once the natives were very angry because Mr. Angas went under a cooking
shed, having with him the portfolio containing the head of Te Heu-heu.
Even his hands were tapu because they had painted the portrait of so
great a chief, and he was subjected to many annoyances in consequence.
Finding that the tapu was likely to become exceedingly inconvenient, he
put a stop to further encroachments by saying that, if the people made
any more complaints, he would put Te Heu-heu’s head into the fire. This
threat shocked them greatly, but had the desired effect.
Sometimes this sanctity of the chief is exceedingly inconvenient to
himself. On one occasion, when Mr. Angas was visiting the chief Te
Whero-Whero, he found the great man superintending the plantation of
a kumera ground and the erection of a house for himself. Rain was
falling fast, but the old chief sat on the damp ground, wrapped up in
his blanket, and appearing to be entirely unconcerned at the weather, a
piece of sail-cloth over the blanket being his only defence.
He did not rise, according to the custom of the old heathen chiefs,
who will sometimes sit for several days together, in a sort of
semi-apathetic state. To the request that his portrait might be taken
Te Whero-Whero graciously acceded, and talked freely on the all
important subject of land while the painter was at work. Finding the
rain exceedingly unpleasant, the artist suggested that they had better
move into a house. The old chief, however, knowing that he could not
enter a house without making it his property by reason of contact
with his sacred person, declined to move, but ordered a shelter to
be erected for the white man. This was done at once, by fastening a
blanket to some upright poles: and so the portrait was completed, the
painter under cover and the sitter out in the rain.
Localities can be rendered tapu, even those which have not been touched
by the person who lays the tapu upon them. The chief Te Heu-heu, for
example, was pleased to declare the volcano Tongariro under the tapu,
by calling it his backbone, so that not a native would dare approach
it, nor even look at it, if such an act could be avoided. Mr. Angas was
naturally desirous of visiting this mountain, but found that such a
scheme could not be carried out. He offered blankets and other articles
which a New Zealander prizes; but all to no purpose, for the tapu could
not be broken. The chief even tried to prevent his white visitors from
travelling in the direction of the mountain, and only gave his consent
after ordering that the sacred Tongariro should not even be looked
at. So deeply is this superstition engraven in the heart of the New
Zealander, that even the Christian natives are afraid of such a tapu,
and will not dare to approach a spot that has thus been made sacred
by a tohunga. Reasoning is useless with them; they will agree to all
the propositions, admit the inference to be drawn from them, and then
decline to run so terrible a risk.
Public-domain text, read in full here on John Shaqi.
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