The uncivilized races of men in all countries of the world; vol. 2 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristicsWood, J. G. (John George)
History
The uncivilized races of men in all countries of the world; vol. 2 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristics
Wood, J. G. (John George)
Anthropology; Ethnology; Manners and customs
Sometimes a sort of mock battle takes place. When food is brought to
the men, the women suddenly rush upon them, try to drive them away, and
to seize the food. Rough as the women may be, the men seldom retaliate,
except by taking their assailants round the waists and throwing them on
the ground. Mr. Williams mentions one instance when a woman actually
shot a man dead with an arrow, turning the mock fight into a sad
reality. Several cases are known where the men have been so severely
handled that they have afterward died of their wounds.
On certain occasions an amusing game is played by the young men. A thin
earthenware vessel is filled with water and suspended from a bough, and
a number of young men with their eyes blindfolded, try to break the
vessel by striking at it with long sticks.
Music and dancing are greatly studied among the Fijians, and any one
who knows a new dance is sure to earn plenty of goods by teaching it.
Their musical instruments are very poor, consisting of drums, pipes,
and trumpets. The first-mentioned instruments are nothing more than
wooden cylinders, through one side of which a groove is cut about an
inch or so in width. The pipes are of two kinds; namely, a sort of
pandean pipe made of several strips of bamboo fastened together, and
the flute. This latter instrument is played by placing the aperture
close to one nostril, and breathing through it while the other is
stopped with the thumb of the left hand. The trumpets are merely
conch-shells blown through a hole in the side.
The dances are very carefully got up, and more resemble military
movements than dances, the similitude being increased by the martial
array of the dancers, who are all dressed as if for war, their faces
painted with scarlet, their bodies powdered with black, and their best
clubs or spears in their hands. They execute intricate manœuvres,
marching in various figures, wheeling, halting, and stamping their
feet in exact time to the rhythm of the song and the beat of the drum.
Sometimes several hundred men are engaged in the dance, while the
musicians are twenty or thirty in number.
The scene at one of these dances is very picturesque, but it wants the
furious energy which gives such fiery animation to the war dance of the
New Zealanders, the movements, though correct in point of time, being
comparatively dull and heavy. In order to enliven it a little more, a
professional buffoon is usually introduced upon the scene, who performs
sundry grotesque movements, and is usually applauded for his exertions.
Music and dancing are always used at the celebration of a marriage,
and, as may be imagined from the punctilious nature of the Fijian,
there is no lack of ceremony on the occasion.
Public-domain text, read in full here on John Shaqi.
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