The uncivilized races of men in all countries of the world; vol. 2 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristicsWood, J. G. (John George)
History
The uncivilized races of men in all countries of the world; vol. 2 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristics
Wood, J. G. (John George)
Anthropology; Ethnology; Manners and customs
The religion, or rather the superstition, of the Fijians is much like
that of other polytheists. The people acknowledge vast numbers of gods
of greater or lesser power; most, if not all, of which are symbolized
under some natural form, such as a hawk, a tree, or the like. Every
Fijian considers himself under the protection of some especial god,
and, as has been stated, will not eat the animal which is his symbol.
An amusing instance of the reverence paid to the symbols of the gods
occurred at Tilioa. A very powerful god, who is worshipped at that
place, resides in a land crab, but, as that crustacean is scarcely ever
seen in the locality, there are but few opportunities of paying the
proper worship. Whenever any one saw a land crab, he immediately ran
to the priest, and forthwith the whole place was in a commotion. The
people assembled to pay their respects to their deity, and a number of
cocoa-nuts were gathered, strung together, and humbly presented to the
crab deity in order to propitiate him, and to induce him to give them
fair weather and a healthy season.
As to the particular doctrines of the Fijian religion, it is scarcely
possible to learn much about them. In the first place, the people know
nothing, and the priests, who know but little, dislike communicating
their knowledge. Even the Christian converts can seldom be induced to
speak on the subject with any degree of truth.
The priests are known by their official insignia, which consists of
an oval frontlet of scarlet feathers, and a long-toothed comb made of
separate pieces of wood ingeniously fastened together. Several of these
combs are in my collection, and are excellent examples of the artistic
capabilities of the makers. No two of them are alike, the delicate
thread which fastens them together being woven in a singular variety of
patterns. The threads are nearly as fine as hairs, and an additional
beauty is given to the pattern by using alternately a deep black and a
glittering yellow thread.
The priests communicate with their deities by throwing themselves into
a sort of ecstatic state, technically called “shaking,” in which the
whole body is convulsed, and the utterances which come from the foaming
lips are held to be the responses of the god. A vivid idea of this mode
of consulting a deity is given by Mr. Williams in the valuable work to
which reference has often been made.
Public-domain text, read in full here on John Shaqi.
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