The uncivilized races of men in all countries of the world; vol. 2 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristicsWood, J. G. (John George)
History
The uncivilized races of men in all countries of the world; vol. 2 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristics
Wood, J. G. (John George)
Anthropology; Ethnology; Manners and customs
The fibres which run along these leaves are very strong and fine, and,
when properly dressed and combed, have a beautiful silky look about
them. At one time great quantities of New Zealand flax, as it was
called, were imported into Europe, and the plant was cultivated in some
of the southern parts of the Continent. Strong, however, as it may be,
it has the curious fault of snapping easily when tied in a knot, and
on this account is not valued so much in Europe as in its own country.
I have before me a large roll of string made by natives from the
phormium. It is very strong in proportion to its thickness, and much of
it has been used in suspending various curiosities in my collection;
but it cannot endure being made into a knot. It is useful enough in
hitches, especially the “clove-hitch;” but as soon as it is tied into a
knot, it will hardly bear the least strain.
The principle on which the mats are made is very simple. A weaving
frame is erected on sticks a foot or so from the ground, and upon it
is arranged the weft, made of strings or yarns, placed as closely
together as possible, and drawn quite tight. The weft is double, and
is passed under and over each yarn, and the upper one is always passed
between the ends of the under weft before it is drawn tight. The mat is
therefore nothing more than a number of parallel strings laid side by
side, and connected, at intervals of an inch or so, by others that pass
across them. More care is taken of the edges, which are turned over,
and the yarns are so interwoven as to make a thick and strong border.
When the wefts are hauled tight, they are beaten into their place by
means of a bone instrument, very much like a paper knife in shape;
and in every respect the weaving of a New Zealander most strongly
reminds the spectator of the process of making the Gobelin tapestries.
In both cases there is a fixed warp on which the weft is laboriously
woven by hand, and is kept straight and regular by being struck with
an instrument that passes between the threads of the warp. Although
at the present day the warp of the Gobelin tapestry is stretched
perpendicularly, in former times it was stretched longitudinally in a
low frame, exactly similar in principle to that which is employed by
the New Zealander.
The reader will perceive that the process of weaving one of these mats
must be a work of considerable time, and an industrious woman can
scarcely complete even a common mat under eighteen months, while one of
the more elaborate robes will occupy twice that time.
Public-domain text, read in full here on John Shaqi.
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