The uncivilized races of men in all countries of the world; vol. 2 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristicsWood, J. G. (John George)
History
The uncivilized races of men in all countries of the world; vol. 2 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristics
Wood, J. G. (John George)
Anthropology; Ethnology; Manners and customs
Strings or tags are undoubtedly the most characteristic portion of
the dress, and there is scarcely a mat of any description that is not
ornamented with them. One variety of mat, which is called E wakaiwa,
is covered with long cylindrical ornaments that look very much as if
they were made of porcupine quills, being hard, and colored alternately
black and yellow. The ornaments are, however, made of the phormium leaf
in a very ingenious manner. The epidermis is carefully scraped off the
under side of the leaf with a sharp-edged shell, and the leaf is then
turned over. On the upper side the epidermis is removed at regular
intervals, so as to expose the fibres.
The next process is to put the scraped leaf into a dye made of a
decoction of kinan bark, and to let it remain for a definite time.
When it is taken out, the dye has stained the exposed fibres a deep
glossy black, while it has not been able to touch the polished yellow
epidermis that is allowed to remain. The dyed leaves are next rolled
up until they form cylinders as large as goose quills, and are then
woven in regular rows into the material of a mat. As the wearer moves
about, the cylinders rustle and clatter against each other, producing a
sound which seems to be peculiarly grateful to the ears of the natives.
Such a mat or cloak is highly prized. Several of these mats are in my
collection, and very curious examples of native art they are.
One of these has cost the weaver an infinity of trouble. It is nearly
five feet wide and three in depth. The warp has been dyed black, while
the weft is white; and the effect of the weft passing in reverse lines
across the warp is very good. Every other line of weft is decorated
with the cylindrical tassels each of which is nine inches in length,
and is divided into four parts by the removal of the epidermis. These
tassels begin at the fourth line of warp, and are regularly continued
to the lower edge, whence they hang so as to form a fringe. On account
of their number, they would qualify the garment as a rain mat on an
emergency; and the rattling they make as the mat is moved is very much
like that which is produced by a peacock when it rustles its train.
[Illustration: (1.) WOMEN MAKING MATS. (See page 808.)]
[Illustration: (2.) THE TANGI. (See page 824.)]
Along the upper edge, which passes over the shoulders, the strings
have been rolled together into ropes as thick as the finger, and then
plaited so as to form a thick and soft border which will not hurt the
neck. The portion of the mat which comes between the edge and the
first row of tassels is ornamented with scraps of scarlet wool plaited
into the weft. This wool is a favorite though costly ornament to the
natives, being procured from seamen’s woollen caps, which they unpick,
and the yarns used to ornament the dress.
Public-domain text, read in full here on John Shaqi.
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