The Uncollected Writings of Thomas de Quincey, Vol. 2: With a Preface and Annotations by James HoggDe Quincey, Thomas
General
The Uncollected Writings of Thomas de Quincey, Vol. 2: With a Preface and Annotations by James Hogg
De Quincey, Thomas
English literature
often, they impress a character of suspicious accuracy upon the
narrative. Doubtless they do so, and reasonably, where the writer is
pursuing the torpid current of circumstantial domestic annals. But, in
the rapid abstract of Herodotus, where a century yields but a page or
two, and considering that two slender octavos, on the particular scale
adopted by Herodotus, embody the total records of the human race down to
his own epoch, really it would furnish no legitimate ground of scruple
or jealousy, though every paragraph should present us with a character
that seems exaggerated, or with an incident approaching to the
marvellous, or a catastrophe that is revolting. A writer is bound--he
has created it into a duty, having once assumed the office of a national
historiographer--to select from the rolls of a nation such events as are
the most striking. And a selection conducted on this principle through
several centuries, or pursuing the fortunes of a dynasty reigning over
vast populations, _must_ end in accumulating a harvest of results such
as would startle the sobriety of ordinary historic faith. If a medical
writer should elect for himself, of his own free choice, to record such
cases only in his hospital experience as terminated fatally, it would be
absurd to object the gloomy tenor of his reports as an argument for
suspecting their accuracy, since he himself, by introducing this as a
condition into the very terms of his original undertaking with the
public, has created against himself the painful necessity of continually
distressing the sensibilities of his reader. To complain of Herodotus,
or any public historian, as drawing too continually upon his reader's
profounder sensibilities, is, in reality, to forget that this belongs as
an original element to the very task which he has undertaken. To
undertake the exhibition of human life under those aspects which
confessedly bring it into unusual conflict with chance and change, is,
by a mere self-created necessity, to prepare beforehand the summons to a
continued series of agitations: it is to seek the tragic and the
wondrous wilfully, and then to complain of it as violating the laws of
probability founded on life within the ordinary conditions of
experience.
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