The Theatre was in existence, I found, on asking the fishmonger, who had a compact show of stock in his window, consisting of a sole and a quart of shrimps—and I resolved to comfort my mind by going to look at it. Richard the Third, in a very uncomfortable cloak, had first appeared to me there, and had made my heart leap with terror by backing up against the stage-box in which I was posted, while struggling for life against the virtuous Richmond. It was within those walls that I had learnt as from a page of English history, how that wicked King slept in war-time on a sofa much too short for him, and how fearfully his conscience troubled his boots. There, too, had I first seen the funny countryman, but countryman of noble principles, in a flowered waistcoat, crunch up his little hat and throw it on the ground, and pull off his coat, saying, ‘Dom thee, squire, coom on with thy fistes then!’ At which the lovely young woman who kept company with him (and who went out gleaning, in a narrow white muslin apron with five beautiful bars of five different-coloured ribbons across it) was so frightened for his sake, that she fainted away. Many wondrous secrets of Nature had I come to the knowledge of in that sanctuary: of which not the least terrific were, that the witches in Macbeth bore an awful resemblance to the Thanes and other proper inhabitants of Scotland; and that the good King Duncan couldn’t rest in his grave, but was constantly coming out of it and calling himself somebody else. To the Theatre, therefore, I repaired for consolation. But I found very little, for it was in a bad and declining way. A dealer in wine and bottled beer had already squeezed his trade into the box-office, and the theatrical money was taken—when it came—in a kind of meat-safe in the passage. The dealer in wine and bottled beer must have insinuated himself under the stage too; for he announced that he had various descriptions of alcoholic drinks ‘in the wood,’ and there was no possible stowage for the wood anywhere else. Evidently, he was by degrees eating the establishment away to the core, and would soon have sole possession of it. It was To Let, and hopelessly so, for its old purposes; and there had been no entertainment within its walls for a long time except a Panorama; and even that had been announced as ‘pleasingly instructive,’ and I know too well the fatal meaning and the leaden import of those terrible expressions. No, there was no comfort in the Theatre. It was mysteriously gone, like my own youth. Unlike my own youth, it might be coming back some day; but there was little promise of it.