Great Britain -- Social conditions -- 19th century; London (England) -- Description and travel
But the furniture he had seen, ran on castors across and across Mr.
Testator’s mind incessantly, when, in the chill hour of five in the
morning, he got to bed. He particularly wanted a table to write at, and
a table expressly made to be written at, had been the piece of furniture
in the foreground of the heap. When his laundress emerged from her
burrow in the morning to make his kettle boil, he artfully led up to the
subject of cellars and furniture; but the two ideas had evidently no
connexion in her mind. When she left him, and he sat at his breakfast,
thinking about the furniture, he recalled the rusty state of the padlock,
and inferred that the furniture must have been stored in the cellars for
a long time—was perhaps forgotten—owner dead, perhaps? After thinking it
over, a few days, in the course of which he could pump nothing out of
Lyons Inn about the furniture, he became desperate, and resolved to
borrow that table. He did so, that night. He had not had the table
long, when he determined to borrow an easy-chair; he had not had that
long, when he made up his mind to borrow a bookcase; then, a couch; then,
a carpet and rug. By that time, he felt he was ‘in furniture stepped in
so far,’ as that it could be no worse to borrow it all. Consequently, he
borrowed it all, and locked up the cellar for good. He had always locked
it, after every visit. He had carried up every separate article in the
dead of the night, and, at the best, had felt as wicked as a Resurrection
Man. Every article was blue and furry when brought into his rooms, and
he had had, in a murderous and guilty sort of way, to polish it up while
London slept.
Mr. Testator lived in his furnished chambers two or three years, or more,
and gradually lulled himself into the opinion that the furniture was his
own. This was his convenient state of mind when, late one night, a step
came up the stairs, and a hand passed over his door feeling for his
knocker, and then one deep and solemn rap was rapped that might have been
a spring in Mr. Testator’s easy-chair to shoot him out of it; so promptly
was it attended with that effect.
With a candle in his hand, Mr. Testator went to the door, and found
there, a very pale and very tall man; a man who stooped; a man with very
high shoulders, a very narrow chest, and a very red nose; a
shabby-genteel man. He was wrapped in a long thread-bare black coat,
fastened up the front with more pins than buttons, and under his arm he
squeezed an umbrella without a handle, as if he were playing bagpipes.
He said, ‘I ask your pardon, but can you tell me—’ and stopped; his eyes
resting on some object within the chambers.
‘Can I tell you what?’ asked Mr. Testator, noting his stoppage with quick
alarm.
‘I ask your pardon,’ said the stranger, ‘but—this is not the inquiry I
was going to make—_do_ I see in there, any small article of property
belonging to _me_?’
Public-domain text, read in full here on John Shaqi.
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