Great Britain -- Social conditions -- 19th century; London (England) -- Description and travel
Ding, ding! To the carriages, gentlemen the travellers. Ascend then,
gentlemen the travellers, for Hazebroucke, Lille, Douai, Bruxelles,
Arras, Amiens, and Paris! I, humble representative of the uncommercial
interest, ascend with the rest. The train is light to-night, and I share
my compartment with but two fellow-travellers; one, a compatriot in an
obsolete cravat, who thinks it a quite unaccountable thing that they
don’t keep ‘London time’ on a French railway, and who is made angry by my
modestly suggesting the possibility of Paris time being more in their
way; the other, a young priest, with a very small bird in a very small
cage, who feeds the small bird with a quill, and then puts him up in the
network above his head, where he advances twittering, to his front wires,
and seems to address me in an electioneering manner. The compatriot (who
crossed in the boat, and whom I judge to be some person of distinction,
as he was shut up, like a stately species of rabbit, in a private hutch
on deck) and the young priest (who joined us at Calais) are soon asleep,
and then the bird and I have it all to ourselves.
A stormy night still; a night that sweeps the wires of the electric
telegraph with a wild and fitful hand; a night so very stormy, with the
added storm of the train-progress through it, that when the Guard comes
clambering round to mark the tickets while we are at full speed (a really
horrible performance in an express train, though he holds on to the open
window by his elbows in the most deliberate manner), he stands in such a
whirlwind that I grip him fast by the collar, and feel it next to
manslaughter to let him go. Still, when he is gone, the small, small
bird remains at his front wires feebly twittering to me—twittering and
twittering, until, leaning back in my place and looking at him in drowsy
fascination, I find that he seems to jog my memory as we rush along.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account