Great Britain -- Social conditions -- 19th century; London (England) -- Description and travel
Uncommercial travels (thus the small, small bird) have lain in their idle
thriftless way through all this range of swamp and dyke, as through many
other odd places; and about here, as you very well know, are the queer
old stone farm-houses, approached by drawbridges, and the windmills that
you get at by boats. Here, are the lands where the women hoe and dig,
paddling canoe-wise from field to field, and here are the cabarets and
other peasant-houses where the stone dove-cotes in the littered yards are
as strong as warders’ towers in old castles. Here, are the long
monotonous miles of canal, with the great Dutch-built barges garishly
painted, and the towing girls, sometimes harnessed by the forehead,
sometimes by the girdle and the shoulders, not a pleasant sight to see.
Scattered through this country are mighty works of VAUBAN, whom you know
about, and regiments of such corporals as you heard of once upon a time,
and many a blue-eyed Bebelle. Through these flat districts, in the
shining summer days, walk those long, grotesque files of young novices in
enormous shovel-hats, whom you remember blackening the ground checkered
by the avenues of leafy trees. And now that Hazebroucke slumbers certain
kilometres ahead, recall the summer evening when your dusty feet
strolling up from the station tended hap-hazard to a Fair there, where
the oldest inhabitants were circling round and round a barrel-organ on
hobby-horses, with the greatest gravity, and where the principal show in
the Fair was a Religious Richardson’s—literally, on its own announcement
in great letters, THEATRE RELIGIEUX. In which improving Temple, the
dramatic representation was of ‘all the interesting events in the life of
our Lord, from the Manger to the Tomb;’ the principal female character,
without any reservation or exception, being at the moment of your
arrival, engaged in trimming the external Moderators (as it was growing
dusk), while the next principal female character took the money, and the
Young Saint John disported himself upside down on the platform.
Looking up at this point to confirm the small, small bird in every
particular he has mentioned, I find he has ceased to twitter, and has put
his head under his wing. Therefore, in my different way I follow the
good example.
XIX
SOME RECOLLECTIONS OF MORTALITY
Public-domain text, read in full here on John Shaqi.
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