Great Britain -- Social conditions -- 19th century; London (England) -- Description and travel
Pacing presently round the garden of the Tower of St. Jacques de la
Boucherie, and presently again in front of the Hôtel de Ville, I called
to mind a certain desolate open-air Morgue that I happened to light upon
in London, one day in the hard winter of 1861, and which seemed as
strange to me, at the time of seeing it, as if I had found it in China.
Towards that hour of a winter’s afternoon when the lamp-lighters are
beginning to light the lamps in the streets a little before they are
wanted, because the darkness thickens fast and soon, I was walking in
from the country on the northern side of the Regent’s Park—hard frozen
and deserted—when I saw an empty Hansom cab drive up to the lodge at
Gloucester-gate, and the driver with great agitation call to the man
there: who quickly reached a long pole from a tree, and, deftly collared
by the driver, jumped to the step of his little seat, and so the Hansom
rattled out at the gate, galloping over the iron-bound road. I followed
running, though not so fast but that when I came to the right-hand Canal
Bridge, near the cross-path to Chalk Farm, the Hansom was stationary, the
horse was smoking hot, the long pole was idle on the ground, and the
driver and the park-keeper were looking over the bridge parapet. Looking
over too, I saw, lying on the towing-path with her face turned up towards
us, a woman, dead a day or two, and under thirty, as I guessed, poorly
dressed in black. The feet were lightly crossed at the ankles, and the
dark hair, all pushed back from the face, as though that had been the
last action of her desperate hands, streamed over the ground. Dabbled
all about her, was the water and the broken ice that had dropped from her
dress, and had splashed as she was got out. The policeman who had just
got her out, and the passing costermonger who had helped him, were
standing near the body; the latter with that stare at it which I have
likened to being at a waxwork exhibition without a catalogue; the former,
looking over his stock, with professional stiffness and coolness, in the
direction in which the bearers he had sent for were expected. So
dreadfully forlorn, so dreadfully sad, so dreadfully mysterious, this
spectacle of our dear sister here departed! A barge came up, breaking
the floating ice and the silence, and a woman steered it. The man with
the horse that towed it, cared so little for the body, that the stumbling
hoofs had been among the hair, and the tow-rope had caught and turned the
head, before our cry of horror took him to the bridle. At which sound
the steering woman looked up at us on the bridge, with contempt
unutterable, and then looking down at the body with a similar
expression—as if it were made in another likeness from herself, had been
informed with other passions, had been lost by other chances, had had
another nature dragged down to perdition—steered a spurning streak of mud
at it, and passed on.
Public-domain text, read in full here on John Shaqi.
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