Great Britain -- Social conditions -- 19th century; London (England) -- Description and travel
‘Ship ahoy!’ ‘Splice the main-brace, brother!’ ‘Come, cheer up, my
lads. We’ve the best liquors here, And you’ll find something new In our
wonderful Beer!’ Down by the Docks, the pawnbroker lends money on
Union-Jack pocket-handkerchiefs, on watches with little ships pitching
fore and aft on the dial, on telescopes, nautical instruments in cases,
and such-like. Down by the Docks, the apothecary sets up in business on
the wretchedest scale—chiefly on lint and plaster for the strapping of
wounds—and with no bright bottles, and with no little drawers. Down by
the Docks, the shabby undertaker’s shop will bury you for next to
nothing, after the Malay or Chinaman has stabbed you for nothing at all:
so you can hardly hope to make a cheaper end. Down by the Docks, anybody
drunk will quarrel with anybody drunk or sober, and everybody else will
have a hand in it, and on the shortest notice you may revolve in a
whirlpool of red shirts, shaggy beards, wild heads of hair, bare tattooed
arms, Britannia’s daughters, malice, mud, maundering, and madness. Down
by the Docks, scraping fiddles go in the public-houses all day long, and,
shrill above their din and all the din, rises the screeching of
innumerable parrots brought from foreign parts, who appear to be very
much astonished by what they find on these native shores of ours.
Possibly the parrots don’t know, possibly they do, that Down by the Docks
is the road to the Pacific Ocean, with its lovely islands, where the
savage girls plait flowers, and the savage boys carve cocoa-nut shells,
and the grim blind idols muse in their shady groves to exactly the same
purpose as the priests and chiefs. And possibly the parrots don’t know,
possibly they do, that the noble savage is a wearisome impostor wherever
he is, and has five hundred thousand volumes of indifferent rhyme, and no
reason, to answer for.
Shadwell church! Pleasant whispers of there being a fresher air down the
river than down by the Docks, go pursuing one another, playfully, in and
out of the openings in its spire. Gigantic in the basin just beyond the
church, looms my Emigrant Ship: her name, the Amazon. Her figure-head is
not disfigured as those beauteous founders of the race of strong-minded
women are fabled to have been, for the convenience of drawing the bow;
but I sympathise with the carver:
A flattering carver who made it his care
To carve busts as they ought to be—not as they were.
Public-domain text, read in full here on John Shaqi.
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