Great Britain -- Social conditions -- 19th century; London (England) -- Description and travel
After being again rung for by conflicting bells, like a leg of mutton or
a laced hat a hundred years ago, I make selection of a church oddly put
away in a corner among a number of lanes—a smaller church than the last,
and an ugly: of about the date of Queen Anne. As a congregation, we are
fourteen strong: not counting an exhausted charity school in a gallery,
which has dwindled away to four boys, and two girls. In the porch, is a
benefaction of loaves of bread, which there would seem to be nobody left
in the exhausted congregation to claim, and which I saw an exhausted
beadle, long faded out of uniform, eating with his eyes for self and
family when I passed in. There is also an exhausted clerk in a brown
wig, and two or three exhausted doors and windows have been bricked up,
and the service books are musty, and the pulpit cushions are threadbare,
and the whole of the church furniture is in a very advanced stage of
exhaustion. We are three old women (habitual), two young lovers
(accidental), two tradesmen, one with a wife and one alone, an aunt and
nephew, again two girls (these two girls dressed out for church with
everything about them limp that should be stiff, and _vice versâ_, are an
invariable experience), and three sniggering boys. The clergyman is,
perhaps, the chaplain of a civic company; he has the moist and vinous
look, and eke the bulbous boots, of one acquainted with ’Twenty port, and
comet vintages.
We are so quiet in our dulness that the three sniggering boys, who have
got away into a corner by the altar-railing, give us a start, like
crackers, whenever they laugh. And this reminds me of my own village
church where, during sermon-time on bright Sundays when the birds are
very musical indeed, farmers’ boys patter out over the stone pavement,
and the clerk steps out from his desk after them, and is distinctly heard
in the summer repose to pursue and punch them in the churchyard, and is
seen to return with a meditative countenance, making believe that nothing
of the sort has happened. The aunt and nephew in this City church are
much disturbed by the sniggering boys. The nephew is himself a boy, and
the sniggerers tempt him to secular thoughts of marbles and string, by
secretly offering such commodities to his distant contemplation. This
young Saint Anthony for a while resists, but presently becomes a
backslider, and in dumb show defies the sniggerers to ‘heave’ a marble or
two in his direction. Here in he is detected by the aunt (a rigorous
reduced gentlewoman who has the charge of offices), and I perceive that
worthy relative to poke him in the side, with the corrugated hooked
handle of an ancient umbrella. The nephew revenges himself for this, by
holding his breath and terrifying his kinswoman with the dread belief
that he has made up his mind to burst. Regardless of whispers and
shakes, he swells and becomes discoloured, and yet again swells and
becomes discoloured, until the aunt can bear it no longer, but leads him
Public-domain text, read in full here on John Shaqi.
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