With this tightly grasped in her wrinkled brown hand, together with
another package of Marny's many times in excess of the stage fare of
thirty-six miles and which she slipped into her capacious bosom, Aunt
Chloe "made her manners" with the slightest dip of a courtesy and left
us with the remark:
"Sha'n't nothin' tech her, honey; gwinter stick right close to her till
de steam-cars git to movin', I'll be over early in de mawnin' an' let ye
know. Doan' worry, honey; ain't nothin' gwinter happen to her arter I
gits my han's on her."
When I came down to breakfast, Aunt Chloe was waiting for me in the
hall. She looked like the old woman in the fairy-tale in her short black
dress that came to her shoe-tops, snow-white apron and headkerchief,
covered by a close-fitting nun-like hood--only the edge of the
handkerchief showed--making her seem the old black saint that she was.
It not being one of her cleaning-days, she had "kind o' spruced herself
up a li'l mite," she said. She carried her basket, covered now with a
white starched napkin instead of the red-and-yellow bandanna of
work-days. No one ever knew what this basket contained. "Her luncheon,"
some of the art-students said; but if it did, no one had ever seen her
eat it. "Someone else's luncheon," Marny added; "some sick body whom she
looks after. There are dozens of them."
"Larrovers fur meddlins," Aunt Chloe invariably answered those whose
curiosity got the better of their discretion--an explanation which only
deepened the mystery, no one being able to translate it.
"She's safe, honey!" Aunt Chloe cried, when she caught sight of me. "I
toted de baby, an' she toted de box. Po' li'l chinkapin! Mos' break a
body's heart to see it! 'Clar to goodness, dat chile's leg warn't
bigger'n a drumstick picked to de bone. De man de Sheriff sent wid us
didn't go no furder dan de gate, an' when he lef us dey all sneaked in
an' did dere bes' ter git her from me. Wuss-lookin' harum-scarums you
ever see. Kep' a-tellin' her de ticket was good for ten days an' dey'd
go wid her back to town; an' dat if she'd stay dey'd take her 'cross de
ribber to see de city. I seed she wanted ter git home to her husban',
an' she tol' 'em so. Den dey tried to make her believe he was comin' for
her, an' dey pestered her so an' got her so mixed up wid deir lies dat I
was feared she was gwine to give in, arter all. She warn't nothin' but a
po' weak thing noways. Den I riz up an' tol' 'em dat I'd call a
pleeceman an' take dat ticket from her an' de money I gin her beside, if
she didn't stay on dat car. I didn't give her de 'velope; I had dat in
my han' to show de conductor when he come, so he could see whar she was
ter git off. Here it is"--and she handed me the ticket-seller's
envelope. "Warn't nothin' else saved me but _dat_. When dey see'd it,
dey knowed den somebody was a-lookin' arter her an' dey give in. Po'
critter! I reckon she's purty nigh home by dis time!"
Public-domain text, read in full here on John Shaqi.
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