"Men, I hope you will let me go home now; won't you, please? I ain't
never been 'customed all my life to bein' shut up, and it comes purty
hard, not bein' so young as I was. I ain't findin' no fault, but it
don't seem to me I ever done anythin' to deserve all that's come to me
lately. I got 'long best way I could over there"--and he pointed in
the direction of the steel cages--"till las' week, when Sam Jelliff come
down to see his boy and told me the wife was took sick bad, worse than
she's been yet. She ain't used to bein' alone; you'd know that if you
could see her. The neighbors is purty good to her, I hear, but nobody
don't understand her like me, she and me bein' so long together--mos'
fifty years now. You'll let me go home, won't you, men? I git so tired,
so tired; please let me go."
[Illustration: "I git so tired, so tired; please let me go."]
The buzzard was on his feet now, his arms sawing the air, his strident
voice filling the courtroom.
He pleaded for the machine--for the safety of the community, for the
majesty of the law. He demanded instant conviction for this trickster,
this Fagin among men, this hoary-headed old scoundrel who had insulted
the intelligence of twelve of the most upright men he had ever seen in a
jury-box, insulted them with a tale that even a child would laugh at.
When at last he folded his wings, hunched up his shoulders and sat down,
and the echoes of his harsh voice had died away, it seemed to me that I
could hear vibrating through the room, as one hears the murmur of a
brook after a storm, the tender tones of the old man pleading as if
for his life.
The jury had listened to the buzzard's harangue, with their eyes, not
with their ears. Down in their hearts there still rang the piteous
words. The man-made machine was breaking down; its mechanism out of
"gear"; the law that governed it defective. The God-law, the law of
mercy, was being set in motion.
The voice of the Judge trembled a little as he delivered his charge, as
if somehow a stray tear had clogged the passage from his heart to his
lips. In low, earnest tones that every man strained his ear to catch, he
reviewed the testimony of the witnesses, those I had not heard; took up
the uncontradicted statement of the Deputy Marshal as evidenced by the
exhibits before them; passed to the motive behind the alleged
conspiracy; dwelt for a moment on the age and long confinement of the
accused, and ended with the remark that if they believed his story to be
an explanation of the facts, they must acquit him.
They never left their seats. Even the red-faced man voted out of turn in
his eagerness. The God-law had triumphed! The old man was free.
Public-domain text, read in full here on John Shaqi.
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