London (England) -- Fiction; Mate selection -- Fiction; Political fiction; Politicians -- Fiction
His visitor deliberately drew from the inner pocket of his overcoat a
big, official-looking envelope, out of which he took several unmounted
photographs.
These he spread before the man whose brilliant career had thus been so
suddenly ended.
"Do you recognise these as reproductions of documents handed by you to a
certain friend of yours--copies of confidential despatches from Sir
Henry Lygon, Her Majesty's Ambassador at Constantinople?"
Chisholm, his face livid, nodded in the affirmative. Denials were, he
knew, utterly useless. The whole ingenious network of the British
Intelligence Department on the Continent had been diligently at work
piecing together the evidence against him, and had, under the active
direction of that prince of spies, Archibald Cator, at last succeeded in
unravelling what had for years remained a profound mystery.
His grave-faced, unwelcome visitor, well-satisfied by this admission,
next drew a mounted cabinet photograph from his pocket, and, holding it
out before his eyes, asked, in a low, distinct voice whether he knew the
original.
Chisholm's countenance turned ashen grey the instant his haggard eyes
fell upon the pictured face.
"God!" he cried, wildly starting up, "my God! Cator, spare me that!
Hide it from my sight! hide it! I cannot bear it! It's his
portrait--_his_!"
------------------------------------------------------------------------
The clock of St. Anne's, in Wilton Place, had just chimed eleven, and
the yellow sun had now succeeded in struggling through the wintry mist.
Claudia's carriage with its handsome pair of bays and her powdered
footman, with the bearskin rug over his arm, stood awaiting her beneath
the dark portico.
As, warmly wrapped in her sables, she descended the wide marble
staircase slowly, buttoning her glove, Jackson met her.
"Mr. Chisholm has just called, m'lady. He has been shown into the
morning-room."
Her heart gave a quick bound. She dismissed the servant with a nod and
walked to the apartment indicated.
Dudley turned quickly from the window as she entered, and greeted her,
raising her ungloved hand to his lips with infinite courtliness. In an
instant, however, she detected the change in him, for his face was
blanched to the lips, his voice hoarse and tremulous.
"My dear Dudley!" she cried in alarm. "Why, whatever is the matter?
You are ill."
He closed the door behind her; then, still holding her hand, looked
straight into her dark eyes, and said:
"I have come to you, Claudia, to bid you farewell--to see you for the
last time."
"What do you mean?" she gasped, her cheeks turning pale in an instant at
his announcement.
"I mean that our love must end to-day. That in future, instead of
entertaining affection for me, you must hate me, as one guilty and
unworthy."
"I really don't understand, dear," she answered, bewildered. "You are
not yourself to-day."
Public-domain text, read in full here on John Shaqi.
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