American fiction -- 20th century; Divorce -- Fiction; Married people -- Fiction; Rich people -- Fiction
Three days later, in the evening, Gordon Perry rang at the house of the
Rev. George Prentiss, the comfortable looking and architecturally
pleasing rectory in the neighborhood of St. Stephen's. A trim maid
ushered him into an ante-room where all parochial visitors were first
shown, and asked for his name. There was a nondescript elderly woman
in black ahead of him. In his capacity as rector of a large parish,
Mr. Prentiss followed the modern methods of other busy professional
men. An electric bell at his desk notified the servant that the
interview with the last comer was at an end and that the next in order
was to be introduced. Gordon had not long to wait. His remaining
predecessor's stay was brief. The rector's heartiness was almost
apologetic as he strode a pace or two forward to greet his visitor.
"Mr. Perry, I am very glad to see you. I am sorry that you should have
been kept waiting. But the clergy cannot afford to be unbusiness-like,
can they? We intend to live down that taunt. So my rule is 'first
come, first served.'"
"The only proper rule, I am sure."
It was a spacious, well-filled room, the manifest workshop of an
industrious man, but furnished with an eye to æsthetic appropriateness
as well as utility. Red leather chairs and lounges of goodly
proportions, two symmetrical, carved tables covered with documents,
books, and pamphlets, warm curtains, an open wood fire, a globe, sundry
busts and framed photographs of celebrities, mainly clerical, including
a large one of Phillips Brooks and another of Abraham Lincoln, were its
distinguishing characteristics.
Mr. Prentiss stepped to one of the tables and opening an oblong
Japanese box drew out a handful of cigars.
"Will you smoke, Mr. Perry?" he asked, cheerily.
Gordon took one, and the clergyman, who reserved his use of tobacco for
occasions when by so doing he might hope to make clearer that he was
human, did the same. As soon as they were lit, Mr. Prentiss with a
sweep of his hand indicated two easy chairs on either side of the fire,
but after his guest was seated he himself stood with his back to the
mantel-piece, his hands behind him, the commanding affable figure of a
good fellow. Still he chose to show at the same time what was in his
heart at the moment coincident with his manifestations of secular
hospitality.
Public-domain text, read in full here on John Shaqi.
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