The Underdogs: A Novel of the Mexican RevolutionAzuela, Mariano
History
The Underdogs: A Novel of the Mexican Revolution
Azuela, Mariano
Mexico -- History -- Revolution, 1910-1920 -- Fiction
"It's very serious. A terrible mess! Villa was beaten at Celaya by
Obregon and Carranza is winning all along the line! We're done for!"
Valderrama's gesture was disdainful and solemn as an emperor's. "Villa?
Obregon? Carranza? What's the difference? I love the revolution like a
volcano in eruption; I love the volcano because it's a volcano, the
revolution because it's the revolution! What do I care about the stones
left above or below after the cataclysm? What are they to me?"
In the glare of the midday sun the reflection of a white tequila bottle
glittered on his forehead; and, jubilant, he ran toward the bearer of
such a marvelous gift.
"I like this crazy fool," Demetrio said with a smile. "He says things
sometimes that make you think."
They resumed their march; their uncertainty translated into a
lugubrious silence. Slowly, inevitably, the catastrophe must come; it
was even now being realized. Villa defeated was a fallen god; when gods
cease to be omnipotent, they are nothing.
Quail spoke. His words faithfully interpreted the general opinion:
"What the hell, boys! Every spider's got to spin his own web now!"
III
In Zacatecas and Aguascalientes, in the little country towns and the
neighboring communities, haciendas and ranches were deserted. When one
of the officers found a barrel of tequila, the event assumed miraculous
proportions. Everything was conducted with secrecy and care; deep
mystery was preserved to oblige the soldiers to leave on the morrow
before sunrise under Anastasio and Venancio.
When Demetrio awoke to the strains of music, his general staff, now
composed chiefly of young ex-government officers, told him of the
discovery, and Quail, interpreting the thoughts of his colleagues, said
sententiously:
"These are bad times and you've got to take advantage of everythin'. If
there are some days when a duck can swim, there's others when he can't
take a drink."
The string musicians played all day; the most solemn honors were paid
to the barrel: but Demetrio was very sad.
"Did he know why?
I don't know why."
He kept repeating the same refrain.
In the afternoon there were cockfights. Demetrio sat down with the
chief officers under the roof of the municipal portals in front of a
city square covered with weeds, a tumbled kiosk, and some abandoned
adobe houses.
"Valderrama," Demetrio called, looking away from the ring with tired
eyes, "come and sing me a song--sing 'The Undertaker.'"
But Valderrama did not hear him; he had no eyes for the fight; he was
reciting an impassioned soliloquy as he watched the sunset over the
hills.
With solemn gestures and emphatic tones, he said:
"O Lord, Lord, pleasurable it is this thy land! I shall build me three
tents: one for Thee, one for Moses, one for Elijah!"
"Valderrama," Demetrio shouted again. "Come and sing 'The Undertaker'
song for me."
"Hey, crazy, the General is calling you," an officer shouted.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account