The Underdogs: A Novel of the Mexican RevolutionAzuela, Mariano
History
The Underdogs: A Novel of the Mexican Revolution
Azuela, Mariano
Mexico -- History -- Revolution, 1910-1920 -- Fiction
Valderrama with his eternally complacent smile went over to Demetrio's
seat and asked the musicians for a guitar.
"Silence," the gamesters cried. Valderrama finished tuning his
instrument.
Quail and Meco let loose on the sand a pair of cocks armed with long
sharp blades attached to their legs. One was light red; his feathers
shone with beautiful obsidian glints. The other was sand-colored with
feathers like scales burned slowly to a fiery copper color.
The fight was swift and fierce as a duel between men. As though moved
by springs, the roosters flew at each other. Their feathers stood up on
their arched necks; their combs were erect, their legs taut. For an
instant they swung in the air without even touching the ground, their
feathers, beaks, and claws lost in a dizzy whirlwind. The red rooster
suddenly broke, tossed with his legs to heaven outside the chalk lines.
His vermilion eyes closed slowly, revealing eyelids of pink coral; his
tangled feathers quivered and shook convulsively amid a pool of blood.
Valderrama, who could not repress a gesture of violent indignation,
began to play. With the first melancholy strains of the tune, his anger
disappeared. His eyes gleamed with the light of madness. His glance
strayed over the square, the tumbled kiosk, the old adobe houses, over
the mountains in the background, and over the sky, burning like a roof
afire. He began to sing. He put such feeling into his voice and such
expression into the strings that, as he finished, Demetrio turned his
head aside to hide his tears.
But Valderrama fell upon him, embraced him warmly, and with a
familiarity he showed everyone at the appropriate moment, he whispered:
"Drink them! ... Those are beautiful tears."
Demetrio asked for the bottle, passed it to Valderrama. Greedily the
poet drank half its contents in one gulp; then, showing only the whites
of his eyes, he faced the spectators dramatically and, in a highly
theatrical voice, cried:
"Here you may witness the blessings of the revolution caught in a
single tear."
Then he continued to talk like a madman, but like a madman whose vast
prophetic madness encompassed all about him, the dusty weeds, the
tumbled kiosk, the gray houses, the lovely hills, and the immeasurable
sky.
IV
Juchipila rose in the distance, white, bathed in sunlight, shining in
the midst of a thick forest at the foot of a proud, lofty mountain,
pleated like a turban.
Some of the soldiers, gazing at the spire of the church, sighed sadly.
They marched forward through the canyon, uncertain, unsteady, as blind
men walking without a hand to guide them. The bitterness of the exodus
pervaded them.
"Is that town Juchipila?" Valderrama asked.
Public-domain text, read in full here on John Shaqi.
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