The Underground World: A mirror of life below the surfaceKnox, Thomas Wallace
History
The Underground World: A mirror of life below the surface
Knox, Thomas Wallace
Caves; Mines and mineral resources; Social history -- 19th century; Tunnels
expressed the wish that they had not undertaken what they declared
to be a foolhardy enterprise. As I walked along, I saw at different
turnings of the passage what appeared to be deep, yawning pits; and
feeling a curiosity to examine them, I stopped and stretched my taper
over the side. Appearances were not deceitful. The deep pits were
really there—dark, awful, and impenetrable. I could not help thinking
how easy it would be for any one who should get lost and become
bewildered, to stumble into one of those fearful holes and dash his
brains out. Even such a dreary death would be infinitely preferable to
the long agony of confinement in, without any hope of release from,
such a place of horrors. While I was speculating on the possibility
of the situation, the little procession got quite beyond me, and I
was aroused from my gloomy reverie by the echoing voice of the guide
urging the members of our party to keep close together. I hurried
forward just in time to see the door of the vestibule open, and to go
in with the rest.
The Catacombs are laid out very much like the old quarters of Paris,
the different avenues being named after the streets above them, and
the principal buildings overhead being indicated on the walls. It
seemed very strange that certain famous structures, with which I am
very familiar, should be only eighty or a hundred feet from where we
were walking, as those sepulchral caverns appeared hundreds of miles
away from the bright and beautiful city we had quitted half an hour
before. Nothing can be more dismal and depressing than the Catacombs,
with their miles and miles of human bones and skulls confronting you
wherever you turn, and seeming to dance and grin as the light and the
shadow of the passing tapers fall upon them.
Public-domain text, read in full here on John Shaqi.
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