The Château Rouge is a more extended, demonstrative, and free-and-easy place of resort than the Mabille. It is much more democratic also; the prices of admission for men (women are admitted without charge) being one franc, instead of three. To encourage attendance, prizes are offered to those who shall be present the greatest number of nights during the season, and the announcement of the prizes is placarded upon the wall, so that every one may see them. Silk gowns are the temptations for the gentler, and watches for the sterner sex. I should imagine that some of the girls expected a reward for lifting their gaiters in a direct line above their heads, so often do they attempt it, and so generally do they succeed. The Closerie de Lilas, called the Prado in winter, is the place where the students and the grisettes go in crowds, and where they whirl and make merry for the pure love of the thing. The attendance is very large on Thursday and Sunday nights, when I have seen five or six hundred persons of both sexes, flushed with wine, and dancing like mad dervishes. The revels there are fast and furious enough. License reigns supreme, and Bacchus and Venus seem to inspire the orgies. Paris always limits its public exhibitions, and minions of the law are ever present to keep licentiousness within bounds. Without stimulants the grisettes and cocottes become wild with excitement as the music of Offenbach pours out under the sky to infect them with its sensuous frenzy. Doubtless the students and their lemans enjoy themselves to the utmost; for they could not counterfeit enjoyment so excellently. They smoke, and drink, and laugh, and talk, and chat, and caper together without the smallest reserve or restraint, as if they had not, and never would have, any other thought than of the present moment and its absorbing pleasure. [Sidenote: A DELIRIUM OF DANCING.] When the weather is unfavorable, they have their balls in a large, covered space; and to see and hear them leaping, tumbling, screaming, and roaring in one confused and palpitating mass, impresses the self-contained and impassive Anglo-Saxon very strangely. Those French revellers have few concealments. They do their wooing in the presence of hundreds; they have their little quarrels in the midst of their carnival of glee. Elise appeals to Jacques with shrugs and starts, and streaming eyes; and Victoire complains of neglect, and emphasizes his jealousy to Marguerite before the giddy throng, as if they were in the privacy of their own apartments. They make up their differences with petting words and copious caresses, and enact their melodramas regardless of curious eyes and smiling lookers-on.