The Undesirable GovernessCrawford, F. Marion (Francis Marion)
General
The Undesirable Governess
Crawford, F. Marion (Francis Marion)
England -- Social life and customs -- 20th century -- Fiction; Families -- Fiction; Governesses -- Fiction
“I’ll try, my lady,” answered the footman with perfect gravity, “but it
may take an hour or two, as your ladyship knows.”
“Oh, yes. Well, then, you had better show Miss Scott to her room, and
send somebody to look for them. You see,” she added, turning to the new
governess, “they have got altogether out of the habit of regular hours.
I hope you’ll be quite comfortable.”
“Thank you,” said Miss Scott, who had risen; and she followed the
footman meekly with her limping gait.
Lady Jane Follitt had rarely experienced a more intimate satisfaction
than she felt when her husband and two younger sons straggled into
luncheon, and each in turn glanced quickly at the new governess, and
then sat down with an expression of visible disappointment. The Colonel,
who was a mild and kindly man, addressed one or two remarks to the
newcomer, which she answered as briefly as possible in her somewhat
monotonous voice, but Jocelyn and Claude ignored her existence. The
girls sat on either side of her, very neat and quiet and well-behaved,
but they eyed her from time to time with the distrust which a natural
enemy inspires at close quarters. They were taking her measure for the
coming contest, and in the mind of each girl there was already a
conviction that it would not be an easy one. They had seen all sorts:
the one whose gentle ways and pleasant conversation delighted the
Colonel; the one that used to blush and stammer whenever Jocelyn came
into the room; the one who was almost a match for Claude at lawn tennis,
and who could ride nearly as well as the Follitts themselves, because
she was the daughter of an old-fashioned sporting parson, who had spent
his substance on horse-flesh, and broken his neck in the hunting field;
they had seen Miss Kirk, with her violet eyes, who drew all men in the
house after her as easily as the Pied Piper of Hamelin led away the
little children; but they had never till now seen one who gave them the
impression that she meant business, and would probably get the better
of them. If she did, there would be an end of snaring hares and angling
for trout, of riding bareback, and of peppering the passing horses on
the Malton road with buckshot from catapults. The future was shrouded in
deep gloom, through which stalked hideous spectres of geography,
arithmetic, and the history of England. They would be told to sit up
straight and not to ink their fingers, and they would be taken to walk
instead of being let loose after their meals like a brace of terrier
pups, to roam the park and harass man and beast.
There was one chance left. Miss Scott might be a musician. There had
been one governess of that sort, too, and the girls had enjoyed long
hours of sweetest liberty while she was hammering away at the piano in
the schoolroom.
“Do you play?” asked Evelyn in a sweet low voice.
“Oh, no,” answered Miss Scott. “I don’t know one note from another.”
Public-domain text, read in full here on John Shaqi.
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