Krall, for that matter, living in the midst of his miracle, seems
to think this quite natural and almost inevitable. I, who have
been immersed in it for only a few hours, accept it almost as
calmly as he does. I believe without hesitation what he tells me;
and, in the presence of this phenomenon which, for the first time
in man's existence, gives us a sentence that has not sprung from
a human brain, I ask myself whither we are tending, where we
stand and what lies ahead of us.. . .
14
After dinner, the experiments begin again, for my host is
untiring. First of all, pointing to me, he asks Muhamed if he
remembers what his uncle's name is. The horse raps out an H.
Krall is astonished and utters fatherly reprimands:
"Come, take care! You know it's not an H."
The horse raps out an E. Krall becomes a little impatient: he
threatens, he implores, he promises in turn, carrots and the
direst punishments, such as sending for Albert, the groom, who,
on special occasions, recalls idle and inattentive pupils to a
sense of duty and decorum, for Krall himself never chastises his
horses, lest he should lose their friendship or their confidence.
So he continues his reproaches:
"Come now, are you going to be more careful and not rap out your
letters anyhow?"
Muhamed obstinately goes his own way and strikes an R. Then
Krall's open face lights up:
"He's right," he says. "You understand: H E R, standing for Herr.
He wanted to give you the title to which every man wearing a top
hat or a bowler has the right. He does it only very rarely and I
had forgotten all about it. He probably heard me call you Herr
Maeterlinck and wanted to get it perfectly. This special
politeness and this excess of zeal augur a particularly good
lesson. You've done very well, Mohammed, my child; you've done
very well and I beg your pardon. Now kiss me and go on."
But Mohammed, after giving his master a hearty kiss, still seems
to be hesitating. Then Krall, to put him on the right track
observes that the first letter of my name is the same as the
first letter of his own. Mohammed strikes a K, evidently thinking
of his master's name. At last, Krall draws a big M on the
black-board, whereupon the horse, like one suddenly remembering a
word which he could not think of, raps out, one after the other
and without stopping, the letters M A Z R L K, which, stripped of
useless vowels, represent the curious corruption which my name
has undergone, since the morning, in a brain that is not a human
brain. He is told that this is not correct. He seems to agree,
gropes about a little and writes, M A R Z L E G K. Krall repeats
my name and asks which is the first letter to be altered. The
stallion marks an R.
"Good, but what letter will you put instead?"
Mohammed strikes an N.
"No, do be careful!"
He strikes a T.
"Very good, but in what place will the T come?"
"In the third," replies the horse; and the corrections continue
until my patronomic comes out of its strange adventure almost
unscathed.
Public-domain text, read in full here on John Shaqi.
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