Perhaps the best pen pictures of Pinetti and his methods are furnished
by E. G. Robertson in his "Memoirs." Robertson was a contemporary of
Pinetti, and, like him, a pioneer in ballooning. His "Memoirs," written
in the French language, were published in 1831. The following extracts
from this interesting book tell much of Pinetti's life in Russia and of
his professional history as tradition and actual acquaintance had
presented it to M. Robertson:
"Pinetti had travelled a great deal and for a long time had enjoyed a
great European reputation. He had done everything to attain it. There
was never a man that carried further the art of the 'charlatisme.' When
he arrived in a town where he intended to give a show, he took good care
to prepare his public by speeches, which would keep it in suspense. In
St. Petersburg great and incredible examples of mystification and of
prestidigitation were told about him.
"One day he went to a barber-shop to get shaved, sat down in the chair,
had the towel tied around his neck, and laid his head back ready for the
lather. The barber left him in this position to get hot water, and when
he returned, guided by force of habit, he applied the lather where the
chin should be, but he found feet, arms, hands, and body in a coat, but
no head! Such lamentations! No more head! What could it mean? He opened
the door, and, frightened to death, ran away. Pinetti then went to the
window and called the barber back. He had put his head in his coat in
such a clever way, covering it with his handkerchief, that the surprise
and the fright of the barber were quite natural. Of course this barber
did not fail to spread over the whole town that he had shaved a man who
could take his head off and on to his wish.
[Illustration: Frontispiece of Pinetti's book, "Amusements Physiques,"
published in Paris, 1785, one of the first treasures of the Evanion
Collection purchased by the author.]
[Illustration: Pinetti's autograph, written by him on the back of the
frontispiece, reproduced on page 78. Original in the Harry Houdini
Collection.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account