"When I was abroad in 1844 I went to Paris expressly to attend the
'Quinquennial Exposition'--an exhibition then held every five years. I
met and became well acquainted with a celebrated conjurer, as he called
himself, Robert-Houdin, but who was not only a prestidigitateur and
legerdemain performer, but a mechanic of absolute genius. I bought at
the exposition the best automaton he exhibited and for which he obtained
a gold medal. I paid a round price for this most ingenious little
figure, which was an automaton writer and artist. It sat on a small
table, pencil in hand; and, if asked, for instance, for an emblem of
'fidelity,' it would instantly draw the picture of a handsome dog; if
love was wanted, a cupid was exquisitely pencilled. The automaton would
also answer many questions in writing. I took this curiosity to London,
where it was exhibited for some time at the Royal Adelaide Gallery, and
then I sent it across the Atlantic to my American Museum, where it
attracted great attention from the people and the press. During my
visit, Houdin was giving evening legerdemain performances, and by his
pressing invitation I frequently was present. He took great pains, too,
to introduce me to other inventors and exhibitors of moving figures,
which I liberally purchased, making them prominent features in the
attractions of the American Museum."
[Illustration: The late P. T. Barnum, the world's greatest showman, who
bought the writing and drawing figure from Robert-Houdin, and wrote at
length of the French conjurer in his autobiography. Born July 5, 1810.
Died April 7, 1891. From the Harry Houdini Collection.]
[Illustration: The figure of Cupid as executed by the Droz drawing
figure. From the brochure issued by the Society of History and
Archæology, Canton of Neuchatel, Switzerland.]
Barnum then continued to describe Robert-Houdin's greatness and his
cleverness in the use of electricity. The showman was always a welcome
guest at the magician's house, and he relates how, at luncheon time,
Robert-Houdin would touch a knob and through the floor would rise a
table, laden with inviting viands. These details in the Barnum book make
it all the more inexplicable that Robert-Houdin should omit all mention
of the great showman's name in his "Memoirs."
[Illustration: Hanger advertising the Professor Faber talking machine,
exhibited by P. T. Barnum during 1873 in his museum department. This
automaton was the first talking figure. From the Harry Houdini
Collection.]
Just at this time the amusement-seeking public seemed greatly interested
in automata, so it was only natural that Barnum, great showman that he
was, should scour Europe for mechanical figures. Soon after he purchased
the writing and drawing figure claimed by Robert-Houdin, he brought to
America a talking figure invented by Professor Faber of Vienna, to which
he refers most entertainingly in his address to the public dated 1873:
Public-domain text, read in full here on John Shaqi.
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