I heard no more. I remember only raising my hands before my eyes, as if
I had been dazzled by a sudden shower of diamonds. In his trembling
hands lay priceless treasures for which I had sought in vain--original
programmes and bills of Robert-Houdin, Phillippe, Anderson, Breslaw,
Pinetti, Katterfelto, Boaz, in fact all the conjuring celebrities of the
eighteenth century, together with lithographs long considered
unobtainable, and newspapers to be found only in the files of national
libraries. I felt as if the King of England stood before me and I must
do him homage.
Physician or no physician, I made an engagement with him for the next
morning, when I was bundled into a cab and went as fast as the driver
could urge his horse to Evanion's home, a musty room in the basement of
No. 12 Methley Street, Kennington Park Road, S.E.
[Illustration: Very rare and extraordinarily fine lithograph of
Robert-Houdin, which he gave only to his friends. It depicts him among
his so-called inventions. His son, Emile, doing second sight, is behind
him. The writing and drawing figure is on his left. On his right under
the clockwork is a drawing which, on close examination of the original,
shows the suspension trick. From the Harry Houdini Collection.]
In the presence of his collection I lost all track of time. Occasionally
we paused in our work to drink tea which he made for us on his
pathetically small stove. The drops of the first tea which we drank
together can yet be found on certain papers in my collection. His
wife, a most sympathetic soul, did not offer to disturb us, and it was
3:30 the next morning, or very nearly twenty-four hours after my arrival
at his home, when my brother, Theodore Weiss (Hardeen), and a thoroughly
disgusted physician appeared on the scene and dragged me, an unwilling
victim, back to my hotel and medical care.
Such was the beginning of my friendship with Evanion. In time I learned
that some of his collection had been left to him by James Savren, an
English barber, who was so interested in magic that at frequent
intervals he dropped his trade to work without pay for famous magicians,
including Döbler, Anderson, Compars Herrmann, De Liska, Wellington
Young, Cornillot, and Gyngell. From these men he had secured a
marvellous collection, which was the envy of his friendly rival,
Evanion. Savren bequeathed his collection to Evanion, and bit by bit I
bought it from the latter, now poverty stricken, too old to work and
physically failing. These purchases I made at intervals whenever I
played in London, and on June 7th, 1905, while playing at Wigan, I
received word that Evanion was dying at Lambeth Infirmary.
Public-domain text, read in full here on John Shaqi.
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