Inaudi, the French calculator, can look at a blackboard filled with
numbers for a few seconds, then turn his back upon them and add the
entire amount that he has just seen and memorized. But let the reader
understand that Inaudi is peculiarly gifted by nature, while second
sight is a trick in which the person on the stage known as the medium is
assisted by words, signs, prearranged movements, or articles or figures
in rotation, which to the layman have the appearance of being
unprepared. At a familiar cue, however, the operator touches articles
that have been memorized, a ring, a watch, a scarf-pin, a lady's fan, an
opera glass, all in rotation. At a snap of the fingers the medium will
know that the articles are to be named in consecutive order, and only
after the snap of the fingers or another cue agreed upon.
[Illustration: Programme used by Robert Heller in 1851-52, when he was
about eighteen years of age. Probably the only programme of this date in
existence. Now in the Harry Houdini Collection.]
Robert-Houdin presented the trick for the first time at his own
theatre, February 12th, 1846. Unquestionably at this time he employed
the speaking code, wherein the answer is contained in the question asked
of the medium by the performer. As he describes scene after scene in
which he and his son participated, it is almost possible for a conjurer
or any one interested in magic to follow his code. Apparently the
amusement-loving public became familiar with his speaking code, for
three years later, according to the illustrated appendix of the French
edition of his "Memoirs," he adopted a code of signals, which he states
was especially arranged to confuse those whom he terms his "fearless
discoverers."
Public-domain text, read in full here on John Shaqi.
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