A mysterious bell was used in this connection, but he admits that it
mattered not whether the bell struck or was silent, his son could name
the object under consideration or answer the question. While
Robert-Houdin asserts that he did not employ electricity for working his
silent code, investigations make it almost certain that this was the
method used. It is known throughout the world of conjuring that in
1850-51 Robert Heller (William Henry Palmer) reproduced Robert-Houdin's
entire répertoire of tricks, with the exception of the suspension, and
all worked precisely by Robert-Houdin's methods. In the second-sight
trick, which he first presented with a young man as the medium, then
later with Miss Haidee Heller, the medium was seated on a sofa fully
equipped with wires and electric batteries. Heller's second sight was
worked with both the speaking and silent codes. His confederate was
concealed behind the scenes watching Heller through a peep-hole, or
possibly he used another, seated in the audience, and had the wires
strung under his chair, arranging the signal button so that it could
be easily reached on the arm or front part of the seat. The receiving
instrument was attached to the sofa on which the medium was seated. The
latter would be silently informed as to what was being shown and would
answer all questions. As proof that these statements are not mere
hearsay, the Heller sofa can now be seen in the possession of Mr.
Francis J. Martinka, of New York; and Dr. W. Golden Mortimer, who once
presented "Mortimer's Mysteries," a show on the style of Heller's
performance, furnishes the information that when Heller died in
Philadelphia, November 28th, 1878, he engaged the dead magician's chief
assistant, an expert electrician named E. J. Dale, who had acted as
secret confederate, assisting the medium.
[Illustration: Poster used by Robert Heller during his Boston engagement
in 1853. From the Harry Houdini Collection.]
After travelling with Mortimer some time, Dale eventually returned to
England, and retired from the profession. He opened a large shop in
London under the firm name of H. & E. J. Dale, Manufacturing
Electricians, 4 Little Britain, E. C., in October, 1882.
It was the easiest thing imaginable for Robert-Houdin to have his
theatre arranged with secret confederates and wires back of the scenes,
where a man with powerful opera-glasses could stand. The place being
small, he could look all over the room and see the minutest article.
When not making use of the talking code, the simplest method employed by
second-sight artists is to have a confederate in the audience, with
either an electrical push button or a pneumatic bulb, who gives the
medium the signal. This is received by a miniature piston, which
requires only a small hole in the stage, while the medium has a matching
hole in the sole of his shoe. This allows the piston to touch the sole
of the foot whenever the confederate presses the bulb or pushes the
button.
Public-domain text, read in full here on John Shaqi.
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