The girl was fourteen, angular, blond, nervously put up. She left the
room. Beside her place was a lad but a year younger--Josiah junior--with
a dark face that wore a scowl of pathetic disillusion. And on the
table’s farther flank sat three others: Marsden who was nine, Jonas who
was six, Rhoda whose five years required her chair to be buttressed up
by cushions. One mood joined them all--intentness upon dinner,
indifference to all else. Mrs. Cripper doled out and sank into her
chair. The prim dress was too tight, but it held. Sylvia returned,
seated herself demurely and began to eat. Potatoes, doughnuts, tea were
on the table. Mrs. Cripper helped the two youngest of those present; the
others reached out for themselves. All ate what pleased them. No one
spoke. And no one seemed adverse or uncomfortable, in the silence.
Mrs. Cripper, at length, had news to impart:
“Sarah’ll be gettin’ up, tomorrow.”
Josiah took the news, as if stoically. Then, his eyes twinkled and he
looked up.
“So you’ll be goin’?” he observed.
“Yes, thank you.” Mrs. Cripper was offended.
“Oh, it probably’ll not be for long,” he appeased her.
“I think this is all, Josiah.”
“Thank God for that!” Bitter humor had precedence, in his tone, before
the real hope.
“Don’t take on that way.”
The man examined the woman. A boiled potato stood on his fork. The
brightness of his heavy-jowled face came out, as his lips curled.
“I can understand why you’re against race-suicide. It’s your livin’.”
Mrs. Cripper dropped her knife in protest. The rattling unleashed a
repressed impulse in the man. A great fist fell on the flimsy table. “As
for me--I’m sick and tired of the whole thing! I’m--” he changed his
mood and added, “I’m a joke, I am!” And, as if with relentless logic,
his face wreathed in a smile that was actually merry.
Mrs. Cripper did not understand. She observed that Josiah was smiling.
She did not like that. So she spoke to Sylvia:
“Did you look in and see if Adelaide and Thomas was all right?”
“They’re asleep--” said the young girl.
“And Mama too?”
“Guess so.”
Once more came the more comfortable silence.
This was the household into which Quincy was born.
* * * * *
The upper light, visible from the street through a pall of fog and a
green shade and a drapery of curtain, came from a bedroom. Sarah lay
propped up with pillows, her hair black and bronze against them. A lamp,
shielded by a hand-embroidered guard--green on cream yellow--was on a
table in the center of the room. The light fell on a faded carpet, the
dun upholstered chairs, the wall papered in white with crimson flowers.
In the shadows were the cabinet, the mantel littered with china
ornament, and an old crib with its new burden of a much older story.
Public-domain text, read in full here on John Shaqi.
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