“He is all that, poor man,” her neighbor agreed, “and no wonder in these days. The Parthians are at us on the east, the Germans in the north, and there have been more than twelve deaths in the palace each day for twenty consecutive days now. This pestilence is enough to make anybody sad.” “More than that,” Brinnaria countered. “He looks irritated and bored. Everybody else is alert and keyed up with anticipation. His eyes are dull and he looks as if he wished that the show was over and he could go home.” “You have read him right,” Manlia told her. “He detests all kinds of spectacles, takes no interest in races and hates beast-fights. Most of all he loathes gladiatorial combats. Father has told me about it more than once and Causidiena says the same thing. I can’t understand it. I never get tired of sword-fighting, myself. What I like about it is its endless variety. I never saw any two fights exactly alike, never saw two closely alike. Each fight is a spectacle by itself, entirely different from any other. I don’t mean the difference between the fighters in respect to their equipment and appearance, though that contributes to the variety also; I mean the difference in posture, method of defense and attack, style of lunge and parry, and all that; and the countless variations in form in the men, the subtle differences of character which makes them face similar situations so very differently. You’ll get the feeling for it in a half a dozen shows and be as keen on it as the rest of us.