Brinnarius called a slave and bade him fetch Brinnaria.
Almost at once the fellow, a dark-skinned, obsequious Lydian, returned
looking scared and yet on the verge of laughter. He could barely control
his merriment, yet was plainly afraid to utter what he had to say. His
master ordered him to speak.
“Instead of coming with me,” he said, “the young lady sent a message.
But I am afraid to give it to you. I am afraid of a thrashing if I give
the message as she gave it to me.”
“Another of her jokes,” her father growled. “You shan’t suffer for
any of her impudence. Repeat her exact words; I’ll hold you excused,
Dastor.”
Dastor, reassured, grinned with anticipated enjoyment and said:
“She says she is sitting down and very comfortable where she is, that
she will not stand up till she feels inclined, and that if you want to
see her you can come to her, for she will not come to you.”
For a moment there was a tense silence.
Pulfennius spoke first.
“If this is a sample of the sort of deportment which my future
daughter-in-law is expected to outgrow I might as well be shown just
what this kind of behavior is like. Let us acquiesce and go to the
little witch, if you do not object.”
“I don’t object at all to going,” his host replied, “but I object to her
behavior; I’ll make her smart for it. Come, let us have it over with;
I’ll show you a submissive Brinnaria or I’ll know the reason why.”
They stood up and from the open atrium passed into a narrow passage
lighted only from the two ends and so into the larger courtyard with
gleaming marble columns at each end and long rows of them down each
side. The tank under the open sky was much larger than that in the
atrium and had two fountains in it. Pigeons cooed on the tiles of the
roofs, and two or three of them strutted on the mosaic pavement among
the columns.
The party, dumbfounded and stunned, stood without voice or movement,
gazing at the picture before them.
The pavement was a cool grayish white in effect, for its mosaic work was
all of pale neutral tints. Above it the background was all white,--white
marble walls, the white marble polished pillars of the peristyle, white
marble entablature above them, the general whiteness emphasized by the
mere streak of red tiled roof visible against the intense blue of the
sky.
Public-domain text, read in full here on John Shaqi.
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