The Upas Tree: A Christmas Story for all the YearBarclay, Florence L. (Florence Louisa)
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The Upas Tree: A Christmas Story for all the Year
Barclay, Florence L. (Florence Louisa)
Christmas stories
Aubrey smiled, surveying Ronnie's eager face with slow enjoyment. He was
mentally recalling phrases from reviews he had written for various
literary columns, on Ronnie's work. Already he began wording the terse
sentences in which he would point out the feebleness and lack of
literary merit, in "the strongest thing" Ronnie had done yet. It might
be well to know something more about it.
"It will be very unlike your other books," he suggested.
"Yes," explained Ronnie, expanding. "You see they were all absolutely
English; just of our own set, and our own surroundings. I wanted
something new. I couldn't go on letting my hero make love in an English
garden."
"If you wanted a variety," suggested Aubrey Treherne, "you might have
let him make love in another man's garden. Stolen fruits are sweet!
There is always a fascination about trespassing."
"No, thank you," said Ronnie. "That would be Paradise Lost."
"Or Paradise Regained," murmured Aubrey.
"I think not. Besides--Helen reads my books."
"Oh, I see," sneered Aubrey. "So your wife draws the line?"
"I don't know what you mean," replied Ronnie. "Falsehood, frailty, and
infidelity, do not appeal to me as subjects for romance. But, if they
did, I certainly should not feel free to put a line into one of my books
which I should be ashamed to see my own wife reading."
"Oh, safe and excellent standard!" mocked Aubrey Treherne. "No wonder
you go down with the British public."
"I think, if you don't mind," said Ronald, with some heat, "we will
cease to discuss my books and my public."
"Then there is but one subject left to us," smiled Aubrey--"the Infant
of Prague! Let us concentrate our attention upon this entirely
congenial topic. I wonder how long this dear child has remained dumb. I
have seen many fine instruments in my time, West, but I am inclined to
think your 'cello is the finest I have yet come across. Do you mind if I
tune it, and try the strings?"
Ronnie's pleasure and enthusiasm were easily rekindled.
"Do," he said. "I am grateful. I do not even know the required notes."
Aubrey, leaning forward, carefully lifted the instrument, resting it
against his knees. He took a tuning-fork from his pocket.
"It is tuned in fifths," he said. "The open strings are A, D, G, C. You
can remember them, because they stand for 'Allowable Delights Grow
Commonplace'; or, read the other way up: 'Courage Gains Desired Aims.'"
With practised skill he rapidly tightened the four strings into harmony;
then, after carefully rosining the bow, rasped it with uncertain touch
across them. The Infant squealed, as if in dire pain. Ronnie winced,
obviously restraining himself with an effort from snatching his
precious 'cello out of Aubrey's hands.
It did not strike him as peculiar that a man who played the violin with
ease, should not be able to draw a clear tone from the open strings of a
'cello.
Public-domain text, read in full here on John Shaqi.
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