The Upas Tree: A Christmas Story for all the YearBarclay, Florence L. (Florence Louisa)
General
The Upas Tree: A Christmas Story for all the Year
Barclay, Florence L. (Florence Louisa)
Christmas stories
"Sorry," he said. "I don't possess one, just now. I gave away mine last
week. You can tune your 'cello by the organ."
"I don't know how to tune a 'cello," said Ronnie.
"Let me show you," suggested Aubrey, with the utmost friendliness.
He walked over to the organ, drew out the 'cello stop, sounded a note,
then came back humming it.
Then he took up the Infant and carefully tuned the four strings, talking
easily meanwhile.
"You see? You screw up the pegs--so. The notes are A, D, G, C."
"What have you done to your lip?" said Ronald, suddenly.
"Knocked it on the stove just now, as I bent to stoke it with my
fingers, for fear of waking you. It bled amazingly."
Aubrey produced a much-stained handkerchief.
"It is curious how a tiny knock will sometimes draw as much blood as a
sword-thrust. There! The Infant is in perfect tune, so far as I can tell
without the bow. Do you mind if I just pass the bow across the strings?
After each string is perfectly tuned to a piano or organ, you must make
them vibrate together in order to get the fifths perfect. A violin or a
'cello is capable of a more complete condition of intuneness--if I may
coin a word--than an organ or a piano."
He took up the bow, then with careful precision sounded the strings,
singly and together. The beautiful open notes of the Infant of Prague,
filled the room.
"There," said Aubrey, putting it back against the empty chair. "I am
afraid that is all I must attempt. I only play the fiddle. I might
disappoint you in your Infant if I did more than sound the open
strings."
Ronald passed his hand over his forehead. "When did I fall asleep?" he
asked.
"Just after suggesting that we should not discuss your books or your
public."
"Ah, I remember! Treherne, I have had the most vivid and horrid
nightmares."
"Then forget them," put in Aubrey, quickly. "Never recount a nightmare,
when it is over. You suffer all its horrors again, in the telling. Turn
your thoughts to something pleasant. When do you reach England?"
"I cross by the Hook, the day after to-morrow, reaching London early the
following morning. I shall go to my club, see my publisher, lunch in
town, and get down home to tea."
"To the moated Grange?" inquired Aubrey.
"Yes, to the Grange. Helen will await me there. But why do you call it
'moated'? We do not boast a moat."
Aubrey laughed. "I suppose my thoughts had run to 'Mariana.' You
remember? 'He cometh not,' she said; the young woman who grew tired of
waiting. They do, sometimes, you know! I believe _her_ grange was
moated. All granges should be moated; just as all old manors should be
haunted. What a jolly time you and Helen must have in that lovely old
place. I knew it well as a boy."
"You must come and stay with us," said Ronnie, with an effort.
"Thanks, dear chap. Delighted. Has Helen kept well during your absence?"
"Quite well. She wrote as often as she could, but there was a beastly
long time when I could get no letters. Hullo!--I say!"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account