The Upas Tree: A Christmas Story for all the YearBarclay, Florence L. (Florence Louisa)
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The Upas Tree: A Christmas Story for all the Year
Barclay, Florence L. (Florence Louisa)
Christmas stories
"Ronnie dear, I admit that not many Johnnies could write your books.
But most Johnnies can fly, now-a-days! You must be more up-to-date in
your similes, old boy; or you will have your wife writing to the papers,
remarking that you are behind the times! But, seriously, Ronnie, you
should be grateful to anybody who takes the trouble to point out an
error, however small, in one of your books. You are keen that your work
should be perfect; and if a mistake is mentioned, it can be set right.
Why, surely you remember, when you read me the scene in the manuscript
you wrote just after our marriage, in which a good lady could not sit
down upon a small chair, owing to her _toupet_, I--your admiring and
awestruck wife--ventured to point out that a _toupet_ was not a
crinoline; and you were quite grateful, Ronnie. You did not consider me
an unappreciative Johnny, nor even a mediocre person! Who has, unknown
to me, been trampling on your susceptibilities?"
"Nobody, thank goodness! I have never written a scene yet, of which I
had not carefully verified every detail of the setting. But it has
happened lots of times to people I know. Unimportant slips never seem to
me to matter in another fellow's work, but they would matter
desperately, horribly, appallingly in one's own. Therefore, nothing will
ever induce me to place the plot of a novel of mine, in surroundings
with which I am not completely familiar. Helen--I must go to Central
Africa."
CHAPTER II
THE SOB OF THE WOMAN
Helen took off her riding-hat, and passed her fingers through the
abundant waves of her hair.
"How long would it take you, Ronnie?" "Well--including the journey out,
and the journey back, I ought to have a clear seven months. If we could
get off in a fortnight, we might be back early in November; anyway, in
plenty of time for Christmas."
"Why do you say 'we,' darling?"
"Why not say 'we'? We always do, don't we?"
"Yes, dear. For three happy years it has always been 'we,' in
everything. We have not been parted for longer than twelve hours at a
time, Ronnie. But I fear Central Africa cannot be 'we.' I do not feel
that I could go out there with you."
"Helen! Why not? I thought you would be keen on it. I thought you were
game to go anywhere!" Amazement and dismay were in his eyes.
She rose slowly, went over to the mantel-piece, moved some little
porcelain figures, then put them back again.
When at length she spoke, she steadied her voice with an effort.
"Ronnie dear, Central Africa is not a place for a woman."
"But, my dearest girl, a woman arrives there in my story! She crawls
into the long grass with the man she loves, and disappears. Our
missionary's bride did it. Where a woman could not go, _I_ must not go
for my local colour. Oh, I say, Helen! You won't fail me?"
He walked over to the window, and drummed again, with restless, nervous
fingers, upon the _In hoc vince_ pane.
She came behind him, laying her hand on his shoulder.
Public-domain text, read in full here on John Shaqi.
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