Curiously enough, I have at the same time been reading the life of
another self-absorbed and high-minded personality--the late Dean
Farrar. This is a book the piety of which is more admirable than the
literary skill; but probably the tender partiality with which it is
written makes it a more valuable document from the point of view of
revealing personality than if it had been more critically treated.
Farrar was probably the exact opposite of Herbert Spencer in almost
every respect. He was a litterateur, a rhetorician, an idealist, where
Spencer was a philosopher, a scientific man, and a rationalist. Farrar
admired high literature with all his heart; though unfortunately it did
not clarify his own taste, but only gave him a rich vocabulary of
high-sounding words, which he bound into a flaunting bouquet. He was
like the bower-bird, which takes delight in collecting bright objects
of any kind, bits of broken china, fragments of metal, which it
disposes with distressing prominence about its domicile, and runs to
and fro admiring the fantastic pattern. The fabric of Farrar's writing
is essentially thin; his thoughts rarely rose above the commonplace,
and to these thoughts he gave luscious expression, sticking the flowers
of rhetoric, of which his marvellous memory gave him the command, so as
to ornament without adorning.
Every one must have been struck in Farrar's works of fiction by the
affected tone of speech adopted by his saintly and high-minded heroes.
It was not affectation in Farrar to speak and write in this way; it was
the form in which his thoughts naturally arranged themselves. But in
one sense it was affected, because Farrar seems to have been naturally
a kind of dramatist. I imagine that his self-consciousness was great,
and I expect that he habitually lived with the feeling of being the
central figure in a kind of romantic scene. The pathos of the situation
is that he was naturally a noble-minded man. He had a high conception
of beauty, both artistic and moral beauty. He did live in the regions
to which he directed others. But this is vitiated by a desire for
recognition, a definite, almost a confessed, ambition. The letter, for
instance, in which he announces that he has accepted a Canonry at
Westminster is a painful one. If he felt the inexpressible distress, of
which he speaks, at the idea of leaving Marlborough, there was really
no reason why he should not have stayed; and, later on, his failure to
attain to high ecclesiastical office seems to have resulted in a sense
of compassion for the inadequacy of those who failed to discern real
merit, and a certain bitterness of spirit which, considering his
services to religion and morality, was not wholly unnatural. But he
does not seem to have tried to interpret the disappointment that he
felt, or to have asked himself whether the reason of his failure did
not rather lie in his own temperament.
Public-domain text, read in full here on John Shaqi.
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