The urine dance of the Zuni Indians of New Mexico — John Shaqi
The urine dance of the Zuni Indians of New MexicoBourke, John Gregory
History
The urine dance of the Zuni Indians of New Mexico
Bourke, John Gregory
Urine dance; Zuni Indians
THE URINE DANCE
OF THE
ZUNI INDIANS OF NEW MEXICO
NOT FOR GENERAL PERUSAL
THE URINE DANCE
OF THE
ZUNI INDIANS OF NEW MEXICO
BY
CAPTAIN JOHN G. BOURKE
THIRD CAVALRY, U. S. ARMY
FROM THE ETHNOLOGICAL NOTES COLLECTED BY HIM
UNDER THE DIRECTION OF
LIEUTENANT GENERAL P. H. SHERIDAN, U. S. ARMY
IN 1881.
PRIVATELY PRINTED
1920
THE URINE DANCE OF THE ZUNIS
by
JOHN G. BOURKE, Captain, Third Cavalry, U. S. Army
On the evening of November 17, 1881, during my stay in the village of
Zuni, New Mexico, the _Nehue-Cue_, one of secret orders of the Zunis,
sent word to Mr. F. Cushing (whose guest I was) that they would do
us the unusual honor of coming to our house to give us one of their
characteristic dances, which, Cushing said, was unprecedented.
The squaws of the Governor’s family put the long “living room” to
rights, sweeping the floor and sprinkling it with water to lay the
dust. Soon after dark the dancers entered; they were twelve in number,
two being boys. The center men were naked with the exception of black
breech-clouts of archaic style. The hair was worn naturally with a
bunch of wild turkey feathers tied in front, and one of corn-husks
over each ear. White bands were painted across the face at eyes and
mouth. Each wore a collar or neckcloth of black woolen stuff. Broad
white bands, one inch wide, were painted around the body at the navel,
around the arms, the legs at mid-thighs and knees. Tortoise-shell
rattles hung from the right knee. Blue woolen footless leggins were
worn with low-cut moccasins, and in the right hand each waved a wand
made of an ear of corn, trimmed with the plumage of the wild turkey and
macaw. The others were arrayed in old cast-off American army clothing,
and all wore white cotton night-caps, with corn-husks twisted into
the hair at top of head and ears. Several wore, in addition to the
tortoise-shell rattles, strings of brass sleigh-bells at knees. One was
more grotesquely attired than the rest in a long India-rubber gossamer
“over all” and a pair of goggles, painted white, over his eyes. His
general “get-up” was a spirited take-off upon a Mexican priest. Another
was a very good counterfeit of a young woman.
Public-domain text, read in full here on John Shaqi.
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