The Useful Arts Employed in the Construction of Dwelling Houses. Second Edition — John Shaqi
The Useful Arts Employed in the Construction of Dwelling Houses. Second EditionAnonymous
History
The Useful Arts Employed in the Construction of Dwelling Houses. Second Edition
Anonymous
Architecture, Domestic; Building materials; Dwellings -- Design and construction
This grand experiment was no less grand from the absence of noise,
smoke, earthquake, and fragments hurled to vast distances through
the air. “I have not heard of a single scattered fragment flying out
as a projectile in any direction”--continues Sir John Herschel--“and
altogether the whole phenomenon was totally unlike anything which,
according to ordinary ideas, could have been supposed to arise from the
action of gunpowder. Strange as it may seem, this contrast between the
actual and the expected effects, gave to the whole scene a character
rather of sublime composure than of headlong violence--of graceful ease
than of struggling effort. How quietly, in short, the gigantic power
employed performed its work, may be gathered from the fact, that the
operators themselves who discharged the batteries were not aware that
they had taken effect, but thought the whole affair a failure, until
reassured by the shout which hailed its success.”
Sawing the Stones for the Mason.
Whatever may be the purpose to which the stone is to be applied, the
larger blocks obtained from the quarry must be cut into smaller and
more manageable pieces; this is done by _sawing_. The saw used is a
long blade of steel without teeth, fixed in a heavy wooden frame,
similar in principle to that which holds the finer spring-saws employed
by cabinet-makers. The stone-saw, from its great size, however,
requires a more powerful contrivance for drawing it to the proper
degree of tension: this consists of a long screw-bolt fixed to a piece
of chain, which hooks over one of the upright arms of the frame; a
similar chain from the other carries a swivel-joint with a screw-nut
to receive the screw: by turning the swivel by a lever, the nut on the
screw draws up or tightens the chains, and that draws the blade tight,
which is contained between the other ends of the arms.
These huge saws are worked by one or two men, who, in London
stone-yards, sit in watch-boxes, in order to be sheltered from the sun
and rain. Barrels filled with water, which is allowed to drop out at a
tap, are mounted on the block of stone, so that the water may drip into
the cut and facilitate the motion of the saw by removing some of the
friction, as well as prevent it becoming hot, and so losing its temper
by the same cause.
In some large establishments, the sawing is effected by machinery. The
block is fixed in a proper position, and a group of saws brought to act
on it. These saws are all arranged parallel, according to the thickness
of the pieces into which the stone is to be cut; and a steam-engine
being brought to bear on the whole group, the cutting is effected with
great rapidity.
The Processes of Stone-Masonry.
Public-domain text, read in full here on John Shaqi.
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