The Useful Arts Employed in the Construction of Dwelling Houses. Second EditionAnonymous
History
The Useful Arts Employed in the Construction of Dwelling Houses. Second Edition
Anonymous
Architecture, Domestic; Building materials; Dwellings -- Design and construction
The width of the courses of ashlers must, therefore, be made equal
exactly to a certain number of courses of bricks with the intervening
mortar, and the brick-work must be executed with such care, that this
number of courses may be everywhere of the same width in the whole
height of the wall. In every course of ashler there must be solid
stones laid quite, or nearly quite, across the width of the wall to
form a _bond_ to the stone facing, and all the stones of the ashler
must be fixed with iron cramps to one another and to these bond-stones.
But, however carefully a faced wall may be executed, it is never so
firm or durable as one built entirely of either material; indeed,
if well executed, of good materials, and of competent thickness in
proportion to its height, a brick wall is the most durable, light, and
efficient structure that can be erected.
When stone is to be cut into cornices, mouldings, &c., the blocks
having been sawed, the ends, top and bottom, are worked very true and
parallel, or perpendicular to each other, and one edge or _arris_ cut
to a perfectly straight line; a thin wooden mould of the section of the
cornice is then applied to each end, and the profile of the mouldings
marked out on the stone. The workman being guided by this figure, cuts
away the stone down to the general surface of the mouldings, and then
proceeds to get the flat fillets of the mouldings perfectly straight
and true by the rule; these again guide him in working the curved
mouldings, such as _ovolos_, _cavettos_, _cyma rectas_, and _ogees_;
when these are cut nearly to their profile, and perfectly straight on
the _bed_ line, they are finished off by being rubbed down smooth by
thin long straight-edges of stone.
Foliage and carved work is executed by a better kind of workman,
possessing some of the taste of an artist, and he works on the same
general principles as a sculptor when executing a statue; it would be
foreign to our present object, therefore, to dwell on this branch of
the mason’s art.
It often, or even most commonly occurs, that the distance between
two columns of a portico, is of greater length than a stone can be
obtained, and if the architrave, or that part of the _entablature_
immediately over the capitals of the columns, be looked at attentively,
a stone will be perceived between the columns apparently unsupported,
for neither end rests on the column, and the joints of those ends are
upright, not presenting any character of a voussoir-stone or arch. The
contrivance by which such an architrave stone is supported deserves to
be described.
[Illustration]
The stone in question has a projecting part, wrought at each end, of
the form shown in the annexed figure; this projection is received into
a corresponding cavity, cut in the end of the stone supported by the
column, and the joint is thus really an arched or wedge-shaped one,
though the bevel line is concealed, and the two stones, when put
together, present only a vertical joint.
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