The Useful Arts Employed in the Construction of Dwelling Houses. Second EditionAnonymous
History
The Useful Arts Employed in the Construction of Dwelling Houses. Second Edition
Anonymous
Architecture, Domestic; Building materials; Dwellings -- Design and construction
In the course of this inquiry a very curious case arose. During the
erection of a church in Paris, the architect required a good durable
stone for the Corinthian capitals; and many circumstances disposed him
to select it from the neighbouring quarry of the Abbaye du Val. But, on
seeking the opinion of two brother architects, he was surprised to find
their estimations of the stone to be totally at variance, for while one
declared that he had employed it with the greatest success, another
said that he had seen it yield speedily to the effects of frost. On
visiting the quarry it was found that two beds of stone were being
worked, an upper and a lower bed; specimens of the stone were taken
from each, and on submitting them to a hot saturated solution, it was
ascertained almost immediately that the upper layer furnished excellent
stone, while the lower one supplied that of which the architect had
so much reason to complain. But it is remarkable that the stones from
the two beds had precisely the same appearance in grain, colour, and
texture; so much so, that when brought into the mason’s yard it was
impossible by ordinary tests to distinguish the good from the bad stone.
At the conclusion of the inquiry of the Committee, the Royal Academy
of Sciences proved the high estimation in which they held this
contribution of science to the useful arts, by directing to be
published the following practical directions for repeating the process,
for the use of architects, builders, master masons, land proprietors,
and all persons engaged in building.
1. The specimens of stone are to be chosen from those parts of the
quarry, where from certain observed differences in the colour, grain,
and general appearance of the stone, its quality is doubtful.
2. The specimens are to be formed into two-inch cubes, carefully cut,
so that the edges may be sharp.
3. Each stone is to be marked or numbered with Indian ink or scratched
with a steel point; and corresponding with such mark or number a
written account is to be kept as to the situation of the quarry,
the exact spot whence the stone was detached, and other notes and
information relating to the specimen.
4. Continue to add a quantity of sulphate of soda to rain or distilled
water, until it will dissolve no more. You may be quite sure that the
solution is saturated, if, after repeatedly stirring it, a little of
the salt remains undissolved at the bottom of the vessel an hour or two
after it has been put in.
5. This solution may be heated in almost any kind of vessel usually put
on the fire, but perhaps an earthen pipkin may be most convenient. When
the solution boils, put in the specimens of stone, one by one, so that
all may be completely sunk in it.
6. Continue the boiling for thirty minutes. Be careful in observing
this direction.
Public-domain text, read in full here on John Shaqi.
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