The Useful Arts Employed in the Construction of Dwelling Houses. Second Edition — John Shaqi
The Useful Arts Employed in the Construction of Dwelling Houses. Second EditionAnonymous
History
The Useful Arts Employed in the Construction of Dwelling Houses. Second Edition
Anonymous
Architecture, Domestic; Building materials; Dwellings -- Design and construction
This mill consists usually of a vat, or circular vessel, fixed on a
timber frame; an upright iron axle is placed in the centre of the
vat, and carries some iron plates, or rakes with teeth, to stir up
the soft clay when placed in the mill: this axle is turned round by a
horse harnessed to a horizontal shaft which proceeds from the axle.
The clay being put into the vat, the rakes or _knives_ complete the
incorporation of the ashes, and thoroughly temper the whole mass, which
is gradually squeezed out through a hole in the bottom of the vat.
A better kind of mill is used in tempering the material for the better
bricks; it only differs, however, in being larger. An iron harrow
loaded with weights is dragged round in a circular pit lined with
brick-work. The clay in this case is diluted with water sufficiently
to allow of the stones sinking to the bottom; and the fluid is drawn
off into pits, where it is left to settle and thicken, to the proper
consistence.
The prepared clay is first separated into masses, each large enough to
make a brick, by the _feeder_, or assistant, who sands the pieces ready
for the _moulder_; the _mould_ is an open rectangular box, the four
sides of which are made to separate from the bottom, to allow of the
brick being turned out. The bottom is now made with a lump raised on
it, by which a slight depression is formed on one side of the brick, to
admit a mass of the mortar being received and detained in it when the
wall is built.
The moulder takes the piece of clay prepared for him, and dashing each
into the mould so as to cause it to fill it, removes the superfluous
quantity by means of a flat piece of wood which he draws across the
open side of the mould; this _strike_ is kept in a bowl of water to
wet it, and prevent the adhesion to it of the clay. The man then
lifts off the sides of the mould, and deposits the brick on a flat
_pallet-board_, and this is removed by a boy who ranges the bricks on a
lattice frame set sloping on the barrow in which they are to be taken
to the field to dry; fine sand is strewed on the frame and over the
bricks, to prevent their adhering together.
The bricks are taken to the field, and piled in long lines called
_hacks_. This is a nice operation, as the soft bricks, if handled
roughly, would become twisted, and rendered useless; the bottom
course of bricks is raised a few inches to keep it from the wet;
and the ground is prepared to receive them by being covered with
dry brick-rubbish or ashes, and raked smooth. The bricks are set
alternately in rows lengthwise and crosswise, with intervals between
them of an inch or more, to allow a thorough circulation of air: the
hack, when raised about a yard high, is covered over with straw to
throw off the rain.
If the weather be favourable, ten or twelve days are enough to dry the
bricks in the hacks sufficiently to prepare them for burning, but they
should be thoroughly dry, or the subsequent process will fail.
Public-domain text, read in full here on John Shaqi.
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