The Usurper: An Episode in Japanese HistoryGautier, Judith
History
The Usurper: An Episode in Japanese History
Gautier, Judith
French fiction -- Translations into English; Japan -- History -- Fiction
The Kisaki stepped down from her throne; she advanced slowly through
the hall, dragging a weight of satin after her. The princesses in
groups, according to their rank, followed at a distance, stopping
whenever she stopped. All the guests bowed low as she passed. She spoke
a few words to an illustrious Daimio or a lady of high rank, then went
on; in this way she reached the Prince of Nagato.
"Iwakura," said she, drawing from her bosom a sealed letter wrapped in
a piece of green satin, "give this paper to the Shogun's mother from
me." And she added in a lower tone: "It is what you asked for. The
Mikado's orders are that you shall only make use of this document when
you are sure that Hieyas is about to perjure himself."
"Your orders shall be faithfully executed," said Nagato, tremblingly
taking the letter. "This very night I will return to Osaka."
"May your journey be prosperous!" said the Kisaki in a strangely gentle
voice. Then she passed on; the Prince still heard the rustle of her
dress on the mats for a brief moment.
An hour later Nagato left the Dairi,[2] and was on his way.
In traversing the city he was obliged to keep his horse to a walk, lest
he should run over some of the merry throng that blocked the streets.
Huge lanterns of glass, paper, gauze, or silk shone on every hand;
their many-colored lights cast odd reflections upon the faces of the
passers, who, as they changed position, looked pink, blue, lilac, or
green. The horse was somewhat frightened by the deafening uproar that
pervaded Kioto. There were shouts of laughter from women standing
before a puppet-show; a tambourine ringing an incessant accompaniment
to the marvellous feats of a band of conjurors; angry cries from a
quarrel degenerating into a brawl; a silver bell struck by the finger
of fate in response to some sorcerer who foretold the future to an
attentive circle; the shrill songs of the priests of Odji-gongem
performing a sacred dance in the garden of a pagoda; then the clamor
of a whole army of beggars, some mounted on stilts, others accoutred
in historic costume, or wearing in lieu of hat a vase containing a
flourishing shrub in full bloom.
Here were mendicant friars, clad in red, with shaven head, puffing up
their cheeks and drawing from silver whistles sounds, whose acuteness
pierced the tumult and rent the ear; priestesses of the national form
of worship passed along, singing and waving a holy-water sprinkler of
white paper,--the symbol of purity; a dozen young bonzes playing on all
sorts of instruments, listened eagerly, to catch the measure of the
melody which they were executing in spite of the general commotion,
while farther on a tortoise-charmer beat a tam-tam with rapid strokes,
and blind men, sitting at a temple door, thumped with all their might
on bells bristling with bronze pimples.
Public-domain text, read in full here on John Shaqi.
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