Historical fiction; Inquisition -- Fiction; Spain -- History -- Ferdinand and Isabella, 1479-1516 -- Fiction
As years passed, the Vale of Cedars became not only a safe, but a
luxurious home. Every visit to the world Julien turned to profit, by
the purchase first of necessaries, then of luxuries. The little temple
was erected by the active aid of the young men, and the solemn rites
of their peculiar faith adhered to in security. Small as the family
was, deaths, marriages, and births took place, and feelings and
sympathies were excited, and struggles secretly endured, making that
small spot of earth in very truth a world. The cousins intermarried.
Ferdinand and Josephine left the vale for a more stirring life;
Manuel, Henriquez's own son, and Miriam, his niece, preferred the
quiet of the vale. Julien, his nephew, too, had loved; but his
cousin's love was given to his brother, and he departed, unmurmuringly
indeed, but he dared not yet trust himself to associate calmly with
the object of his love: he had ever been a peculiarly sad and silent
boy; the fate of his father never for an instant seemed to leave his
mind, and he had secretly vowed to avenge him. Love, for a while, had
banished these thoughts; but when that returned in all the misery of
isolation to his own breast, former thoughts regained dominion, and he
tried to conquer the one feeling by the encouragement of the other.
His brother and his wife constantly visited the vale; if at no other
time, almost always at those solemn festivals which generally fell
about the period of the Catholic Easter and Michaelmas; often
accompanied by faithful friends, holding the same mysterious bond of
brotherhood, and to whom the secret of that vale was as precious and
secure as to its natural inmates. Its aged founder had frequently the
happiness of gathering around him from twenty to thirty of his secret
race, and of feeling that his work would benefit friends as well as
offspring. Julien alone never returned to the vale, and his family at
length mourned him as one amongst the dead.
Public-domain text, read in full here on John Shaqi.
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