In the many struggles which were constantly occurring between the Spaniards and Moors, the former had become acquainted with the light yet beautiful architecture and varied skill in all the arts peculiar to the latter, and displayed their improved taste in both public and private buildings. Morales, in addition to natural taste, possessed great affluence, which enabled him to evince yet greater splendor in his establishment than was usual to his countrymen. There was one octangular room, the large panels forming the walls of which were painted, each forming a striking picture of the principal events in the history of Spain, from the descent of Don Palayo, and the mountaineers of Asturias, who struck the first blow for Spanish freedom, to the accession of Ferdinand and Isabella. The paintings were not detached pictures, but drawn and colored on the wall itself, which had been previously prepared for the reception of the colors by a curious process, still in use among the Orientals.[A] The colors, when dry, were rubbed, till the utmost brilliancy was attained; and this, combined as it was with a freedom and correctness of drawing, produced an effect as striking then as it would be novel to modern eyes. One side, divided into three compartments, contained in one a touching likeness of the young Alfonso. His figure, rather larger than life, was clothed in armor, which shone as inlaid with gold. His head was bare, and his bright locks flowed over his shoulders as he wore them in life. His brilliant eye, his lofty brow, and peculiarly sweet expression of mouth, had been caught by the limner, and transferred to his painting in all their original beauty. Round him were grouped some of the celebrated cavaliers of his party; and the back-ground, occupied by troops not in regular battalions, but as impelled by some whelming feeling of national excitement, impossible to be restrained. Answering to this was a full length of the infanta Isabella I., in the act of refusing the crown offered by the confederates. The centre compartment represented the union of Castile and Arragon by the nuptials of their respective sovereigns in the cathedral church of Valladolid. Over these pictures were suspended golden lamps, inlaid with gems; so that, day or night, the effect should remain the same. Opposite the dais, huge folding-doors opened on an extensive hall, where the banquets were generally held, and down which Don Ferdinand intended to range the tables for his guests of lesser rank, leaving the octangular apartment for the royal tables, and those of the most distinguished nobles; the one, however, so communicating with the other, as to appear one lengthened chamber. On the right hand of the dais, another large door opened on a withdrawing-room, the floor of which was of marble, curiously tinted; and the walls hung with Genoa velvet, ruby-colored, and bordered by a wide fringe of gold. Superb vases of alternate crystal and frosted silver, on pedestals of