Prance had thus all the materials of a confession ready made, but not of a confession identical with Bedloe’s. He was ‘one of the most acute and audacious of the Jesuit agents,’ says Mr. Pollock.* Yet Mr. Pollock argues that for Prance to tell the tale which he did tell, in his circumstances of cold and terror, required a most improbable ‘wealth of mental equipment,’ ‘phenomenal powers of memory, imagination, and coolness,’ if the tale was false.** Therefore Prance’s story of the murder was true, except in the details as to the men whom he accused. On December 24, he was taken to the places which he described (certainly lying in his tale), and preserved consistency, though, after long search, he could not find one of the rooms in which he said that the corpse was laid.*** *Pollock, p.166. **Ibid. p. 146. ***Lords’ Journals, xii. pp. 436-438. As Prance, by Mr. Pollock’s theory, was one of the most acute of Jesuit agents, and as he had all the materials, and all the knowledge necessary for a confession, he had, obviously, no difficulty in making up his evidence. Even by Mr. Pollock’s showing, he was cool and intellectual enough; for, on that showing, he adapted into his narrative, very subtly, circumstances which were entirely false. If, as Mr. Pollock holds, Prance was astute enough to make a consistent patchwork of fact and lie, how can it be argued that, with the information at his command, he could not invent a complete fiction? Again, Prance, by misstating dates wildly, hoped, says Mr. Pollock, to escape as a mere liar.* But, when Prance varied in almost every detail of time, place, motive, and person from Bedloe, Mr. Pollock does not see that his own explanation holds for the variations. If Prance wished to escape as a babbling liar, he could not do better than contradict Bedloe. He DID, but the Protestant conscience swallowed the contradictions. But again, if Prance did not know the details of Bedloe’s confession, how could he possibly agree with it? *Pollock, p. 160. The most essential point of difference was that Bedloe accused ‘Jesuits,’ Le Fevre, Walsh, and Pritchard, who had got clean away. Prance accused two priests, who escaped, and three hangers on of Somerset House, Hill, Berry (the porter), and Green. All three were hanged, and all three confessedly were innocent. Mr. Pollock reasons that Prance, if guilty (and he believes him guilty), ‘must have known the real authors’ of the crime, that is, the Jesuits accused by Bedloe. ‘He must have accused the innocent, not from necessity, but from choice, and in order to conceal the guilty.’ ‘He knew Bedloe to have exposed the real murderers, and... he wished to shield them.’* How did he know whom Bedloe had exposed? How could he even know the exact spot, a room in Somerset House, where Bedloe placed the murder? Prance placed it in Somerset YARD. *Pollock, p. 148.