The considerable liberty accorded the foreign students made Odo's first
year at the Academy at once pleasanter and less profitable than had he
been one of the regular pupils. The companions among whom he found
himself were a set of lively undisciplined young gentlemen, chiefly from
England, Russia and the German principalities; all in possession of more
or less pocket-money and attended by governors either pedantic and
self-engrossed or vulgarly subservient. These young sprigs, whose
ambition it was to ape the dress and manners of the royal pages, led a
life of dissipation barely interrupted by a few hours of attendance at
the academic classes. From the ill-effects of such surroundings Odo was
preserved by an intellectual curiosity that flung him ravening on his
studies. It was not that he was of a bookish habit, or that the drudgery
of the classes was less irksome to him than to the other pupils; but not
even the pedantic methods then prevailing, or the distractions of his
new life, could dull the flush of his first encounter with the past. His
imagination took fire over the dry pages of Cornelius Nepos, glowed with
the mild pastoral warmth of the Georgics and burst into flame at the
first hexameters of the Aeneid. He caught but a fragment of meaning here
and there, but the sumptuous imagery, the stirring names, the glimpses
into a past where Roman senators were mingled with the gods of a
gold-pillared Olympus, filled his mind with a misty pageant of
immortals. These moments of high emotion were interspersed with hours of
plodding over the Latin grammar and the textbooks of philosophy and
logic. Books were unknown ground to Cantapresto, and among masters and
pupils there was not one who could help Odo to the meaning of his task,
or who seemed aware that it might have a meaning. To most of the lads
about him the purpose of the Academy was to fit young gentlemen for the
army or the court; to give them the chance of sweating a shirt every
morning with the fencing-master and of learning to thread the
intricacies of the court minuet. They modelled themselves on the dress
and bearing of the pages, who were always ruffling it about the
quadrangle in court dress and sword, or booted and spurred for a day's
hunting at the King's chase of Stupinigi. To receive a nod or a word
from one of these young demigods on his way to the King's opera-box or
just back from a pleasure-party at her Majesty's villa above the Po--to
hear of their tremendous exploits and thrilling escapades--seemed to put
the whole school in touch with the fine gentleman's world of intrigue,
cards and duelling: the world in which ladies were subjugated, fortunes
lost, adversaries run through and tradesmen ruined with that
imperturbable grace which distinguished the man of quality from the
plebeian.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account